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Cinematic Representation of American...

Holiday-Shchedrov, Dawna.

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Cinematic Representation of American Indians: A Critical Cultural Analysis of a Contemporary American Indian-Directed Film.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Cinematic Representation of American Indians: A Critical Cultural Analysis of a Contemporary American Indian-Directed Film./
作者:	Holiday-Shchedrov, Dawna.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:	154 p.
附註:	Source: Dissertation Abstracts International, Volume: 79-03(E), Section: A.
Contained By:	Dissertation Abstracts International79-03A(E).
標題:	Native American studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10680607
ISBN:	9780355510720

Cinematic Representation of American Indians: A Critical Cultural Analysis of a Contemporary American Indian-Directed Film.
Holiday-Shchedrov, Dawna.

Cinematic Representation of American Indians: A Critical Cultural Analysis of a Contemporary American Indian-Directed Film. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 154 p.

Source: Dissertation Abstracts International, Volume: 79-03(E), Section: A.

Thesis (Ph.D.)--Arizona State University, 2017.

Using Critical Race Theory (CRT) and Tribal Critical Race Theory (TribCrit) as a theoretical framework, this dissertation analyzes a contemporary cinematic film directed by an American Indian filmmaker about American Indians and answers the question of whether the visual texts are unmasking, critiquing, confronting, and/or reinforcing reductive and stereotypical images of American Indians. Using Critical Thematic Analysis as a process, this dissertation interrogates Drunktown's Finest (2014) to understand ways a contemporary American Indian filmmaker engages in counterstorying as a sovereignist action and simultaneously investigates ways the visual narrative and imagery in the film contributes to the reinforcement of hegemonic representations---the static, constrained, White-generated images and narratives that have been sustained in the hegemonic culture for over a century. With an increase in the number of American Indian filmmakers entering into the cultural elitist territory of Hollywood, moving from the margins to the center, I believe Natives are now in a better position to apprehend and reconstruct a multidimensional and complex American Indian identity. I posit that the reshaping of these mass-mediated images can only be countered through the collective and sustained fostering of a more complex imagery of the American Indian and that authorship of the representation is crucial to changing the hegemonic imagery of American Indians.

ISBN: 9780355510720Subjects--Topical Terms:

2122730
Native American studies.

Cinematic Representation of American Indians: A Critical Cultural Analysis of a Contemporary American Indian-Directed Film.
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