東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Frames and Counterframes: Envisionin...

Tamaira, Andrea Marata.

FindBook

Google Book

Amazon

博客來

Frames and Counterframes: Envisioning Contemporary Kanaka Maoli Art in Hawai`i.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Frames and Counterframes: Envisioning Contemporary Kanaka Maoli Art in Hawai`i./
作者:	Tamaira, Andrea Marata.
面頁冊數:	304 p.
附註:	Source: Dissertation Abstracts International, Volume: 77-02(E), Section: A.
Contained By:	Dissertation Abstracts International77-02A(E).
標題:	Native American studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3732501
ISBN:	9781339197807

Frames and Counterframes: Envisioning Contemporary Kanaka Maoli Art in Hawai`i.
Tamaira, Andrea Marata.

Frames and Counterframes: Envisioning Contemporary Kanaka Maoli Art in Hawai`i. - 304 p.

Source: Dissertation Abstracts International, Volume: 77-02(E), Section: A.

Thesis (Ph.D.)--The Australian National University (Australia), 2015.

Since the overthrow of the Hawaiian Kingdom in 1893 and the subsequent illegal annexation of the Islands by the United States in 1898, Native Hawaiians (Kanaka Maoli) have vigilantly contested U.S. colonialism in Hawai'i and have resolutely sought to defend and affirm their existence as the still sovereign people of their homeland through political, legal, cultural, and artistic means. While the first three instances of indigenous resistance have been well documented in numerous books, journal articles, and theses, there remains a largely untapped field of academic enquiry concerning the role of contemporary Kanaka Maoli art within this milieu. This dissertation seeks to close the gap with an examination of how Native Hawaiian artists use the visual arts as a tool to assert their socio-political aspirations, affirm their sovereign identity, and disrupt the colonial status quo by representing themselves on their own terms. Here, the visual arts function as an abstract expression of Native power.

ISBN: 9781339197807Subjects--Topical Terms:

2122730
Native American studies.

Frames and Counterframes: Envisioning Contemporary Kanaka Maoli Art in Hawai`i.
LDR:02818nmm a2200301 4500 001 2078348
005 20161122122518.5
008 170521s2015 ||||||||||||||||| ||eng d
020 $a 9781339197807
035 $a (MiAaPQ)AAI3732501
035 $a AAI3732501
040 $a MiAaPQ $c MiAaPQ
100 1 $a Tamaira, Andrea Marata. $3 3193932
245 1 0 $a Frames and Counterframes: Envisioning Contemporary Kanaka Maoli Art in Hawai`i.
300 $a 304 p.
500 $a Source: Dissertation Abstracts International, Volume: 77-02(E), Section: A.
502 $a Thesis (Ph.D.)--The Australian National University (Australia), 2015.
520 $a Since the overthrow of the Hawaiian Kingdom in 1893 and the subsequent illegal annexation of the Islands by the United States in 1898, Native Hawaiians (Kanaka Maoli) have vigilantly contested U.S. colonialism in Hawai'i and have resolutely sought to defend and affirm their existence as the still sovereign people of their homeland through political, legal, cultural, and artistic means. While the first three instances of indigenous resistance have been well documented in numerous books, journal articles, and theses, there remains a largely untapped field of academic enquiry concerning the role of contemporary Kanaka Maoli art within this milieu. This dissertation seeks to close the gap with an examination of how Native Hawaiian artists use the visual arts as a tool to assert their socio-political aspirations, affirm their sovereign identity, and disrupt the colonial status quo by representing themselves on their own terms. Here, the visual arts function as an abstract expression of Native power.
520 $a As an analytical anchor, I use Tuscarora scholar Jolene Rickard's term "visual sovereignty" to investigate three discrete contexts in which Kanaka Maoli art is produced: "high" art, commercial art, and public art. For the purpose of this study, I define visual sovereignty as an aesthetic strategy through which Kanaka Maoli artists articulate an indigenous-centered perspective that conveys Native epistemologies, ongoing political struggles, and ancestral connection to place. An examination of contemporary Kanaka Maoli art using this paradigm has not yet been advanced in the Hawai'i context but a growing body of scholarship by Native American and First Nations academics and art practitioners indicates the indispensability of opening up a discussion that attends to Kanaka Maoli visual culture as an articulation of indigenous sovereignty. This thesis is a nascent step toward that end.
590 $a School code: 0433.
650 4 $a Native American studies. $3 2122730
650 4 $a Ethnic studies. $2 bicssc $3 1556779
650 4 $a American studies. $3 2122720
650 4 $a Cultural anthropology. $3 2122764
690 $a 0740
690 $a 0631
690 $a 0323
690 $a 0326
710 2 $a The Australian National University (Australia). $3 1952885
773 0 $t Dissertation Abstracts International $g 77-02A(E).
790 $a 0433
791 $a Ph.D.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3732501