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Living Aloha: Portraits of resilienc...
~
Vignoe, Camilla G. Wengler.
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Living Aloha: Portraits of resilience, renewal, reclamation, and resistance.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Living Aloha: Portraits of resilience, renewal, reclamation, and resistance./
作者:
Vignoe, Camilla G. Wengler.
面頁冊數:
299 p.
附註:
Source: Dissertation Abstracts International, Volume: 76-11(E), Section: A.
Contained By:
Dissertation Abstracts International76-11A(E).
標題:
Native American studies. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3710430
ISBN:
9781321862898
Living Aloha: Portraits of resilience, renewal, reclamation, and resistance.
Vignoe, Camilla G. Wengler.
Living Aloha: Portraits of resilience, renewal, reclamation, and resistance.
- 299 p.
Source: Dissertation Abstracts International, Volume: 76-11(E), Section: A.
Thesis (Ph.D.)--Antioch University, 2015.
When Native Hawaiians move away from the islands, they risk losing their cultural identity and heritage. This dissertation utilizes a Hawaiian theoretical framework based in Indigenous research practices and uses phenomenology, ethnography, heuristics, and portraiture to tell the stories of leadership, change, and resilience of five Native Hawaiians who as adults, chose to permanently relocate to the United States mainland. It explores the reasons why Kanaka Maoli (politically correct term for Native Hawaiians) leave the `aina (land; that which feeds) in the first place and eventually become permanent mainland residents. Some Hawaiians lose their culture after relocating to the United States mainland, giving in to societal pressures demanding conformance, assimilation, and acculturation. Some who have lost their cultural identity are able to later regain it, yet others, resilient, found a way to retain their cultural identity despite the traumatic transition. This study focuses on those who have retained or regained their Native Hawaiian identity after relocating to the United States mainland, and questions, "What caused them to relocate?" and "How do they maintain cultural practices far away from the `aina?" I begin by situating myself as the researcher, review the literature, offer an historical chronology of events that occurred in Hawai`i, and explain the research methodology. Four Native Hawaiians who have relocated to the mainland United States as adults and have continued Native Hawaiian cultural practices were interviewed. I painted their individual portraits as well as my own---using the art and science of portraiture---which includes aesthetic writing that focuses on the "good" that is found in within context. I constructed the portraits with data from the interviews, observations, pictures, music, poetic sayings, video clips, sound bites, and my own reflections. The phenomenon of "walking in two worlds" is explored. This study provides examples of leadership in portraying how Native Hawaiians perpetuate `olelo Hawai`i (Hawaiian language, poems, songs), mo'olelo (stories, myths, folklore), mo'oku auhau (genealogy), hula (Hawaiian dance), and many other cultural practices far away from home. The electronic version of this dissertation is available in the open access OhioLink ETD Center, www.ohiolink.edu/etd.
ISBN: 9781321862898Subjects--Topical Terms:
2122730
Native American studies.
Living Aloha: Portraits of resilience, renewal, reclamation, and resistance.
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When Native Hawaiians move away from the islands, they risk losing their cultural identity and heritage. This dissertation utilizes a Hawaiian theoretical framework based in Indigenous research practices and uses phenomenology, ethnography, heuristics, and portraiture to tell the stories of leadership, change, and resilience of five Native Hawaiians who as adults, chose to permanently relocate to the United States mainland. It explores the reasons why Kanaka Maoli (politically correct term for Native Hawaiians) leave the `aina (land; that which feeds) in the first place and eventually become permanent mainland residents. Some Hawaiians lose their culture after relocating to the United States mainland, giving in to societal pressures demanding conformance, assimilation, and acculturation. Some who have lost their cultural identity are able to later regain it, yet others, resilient, found a way to retain their cultural identity despite the traumatic transition. This study focuses on those who have retained or regained their Native Hawaiian identity after relocating to the United States mainland, and questions, "What caused them to relocate?" and "How do they maintain cultural practices far away from the `aina?" I begin by situating myself as the researcher, review the literature, offer an historical chronology of events that occurred in Hawai`i, and explain the research methodology. Four Native Hawaiians who have relocated to the mainland United States as adults and have continued Native Hawaiian cultural practices were interviewed. I painted their individual portraits as well as my own---using the art and science of portraiture---which includes aesthetic writing that focuses on the "good" that is found in within context. I constructed the portraits with data from the interviews, observations, pictures, music, poetic sayings, video clips, sound bites, and my own reflections. The phenomenon of "walking in two worlds" is explored. This study provides examples of leadership in portraying how Native Hawaiians perpetuate `olelo Hawai`i (Hawaiian language, poems, songs), mo'olelo (stories, myths, folklore), mo'oku auhau (genealogy), hula (Hawaiian dance), and many other cultural practices far away from home. The electronic version of this dissertation is available in the open access OhioLink ETD Center, www.ohiolink.edu/etd.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3710430
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