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Female body and identity: A critical...

Beer Houpert, Carol.

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Female body and identity: A critical reflection into the art of mid-life (Pauline Aitken).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Female body and identity: A critical reflection into the art of mid-life (Pauline Aitken)./
作者:	Beer Houpert, Carol.
面頁冊數:	60 p.
附註:	Source: Masters Abstracts International, Volume: 43-03, page: 0657.
Contained By:	Masters Abstracts International43-03.
標題:	Education, Art. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MQ94766
ISBN:	0612947661

Female body and identity: A critical reflection into the art of mid-life (Pauline Aitken).
Beer Houpert, Carol.

Female body and identity: A critical reflection into the art of mid-life (Pauline Aitken). - 60 p.

Source: Masters Abstracts International, Volume: 43-03, page: 0657.

Thesis (M.A.)--Concordia University (Canada), 2004.

This thesis articulates how my own artwork/artistic process is part of a lifelong narrative about my female body and identity, which has unfolded within a patriarchal society and its language. This project of articulation is supported by two related activities. First, I compare my current artwork and life narrative, which are focused on mid-life and menopause, with those of artist Pauline Aitken. Second, by using selected literature from feminist art scholarship, I interpret and contextualise key themes of my own and Aitken's artworks and life narratives.

ISBN: 0612947661Subjects--Topical Terms:

1018432
Education, Art.

Female body and identity: A critical reflection into the art of mid-life (Pauline Aitken).
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502 $a Thesis (M.A.)--Concordia University (Canada), 2004.
520 $a This thesis articulates how my own artwork/artistic process is part of a lifelong narrative about my female body and identity, which has unfolded within a patriarchal society and its language. This project of articulation is supported by two related activities. First, I compare my current artwork and life narrative, which are focused on mid-life and menopause, with those of artist Pauline Aitken. Second, by using selected literature from feminist art scholarship, I interpret and contextualise key themes of my own and Aitken's artworks and life narratives.
520 $a I show how gender influences the woman artist's intent and process: her choice of subject matter and materials, and the resulting narrative. I examine how other women artists and I create a visual vocabulary that is true to our female identities, a vocabulary that can withstand the language of our patriarchal society. This thesis concludes with critical reflections on my own art learning experiences.
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