Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Reconciling identity through artisti...
~
Shunk, Jerelyn G.
Linked to FindBook
Google Book
Amazon
博客來
Reconciling identity through artistic practice: Reframing the object as the "empty dress".
Record Type:
Electronic resources : Monograph/item
Title/Author:
Reconciling identity through artistic practice: Reframing the object as the "empty dress"./
Author:
Shunk, Jerelyn G.
Description:
208 p.
Notes:
Source: Dissertation Abstracts International, Volume: 65-06, Section: A, page: 2063.
Contained By:
Dissertation Abstracts International65-06A.
Subject:
Education, Art. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3135378
ISBN:
0496826026
Reconciling identity through artistic practice: Reframing the object as the "empty dress".
Shunk, Jerelyn G.
Reconciling identity through artistic practice: Reframing the object as the "empty dress".
- 208 p.
Source: Dissertation Abstracts International, Volume: 65-06, Section: A, page: 2063.
Thesis (Ed.D.)--Columbia University Teachers College, 2004.
This study explores the art historical journey of clothing as it appears in figurative painting, sculpture, and installation art. It investigates the artist's rendering of dress as a potent visual phenomenon in the human world contributing greatly to the way human life looks and, even further, unfolds.
ISBN: 0496826026Subjects--Topical Terms:
1018432
Education, Art.
Reconciling identity through artistic practice: Reframing the object as the "empty dress".
LDR
:03114nmm 2200349 4500
001
1850410
005
20051208095316.5
008
130614s2004 eng d
020
$a
0496826026
035
$a
(UnM)AAI3135378
035
$a
AAI3135378
040
$a
UnM
$c
UnM
100
1
$a
Shunk, Jerelyn G.
$3
1938338
245
1 0
$a
Reconciling identity through artistic practice: Reframing the object as the "empty dress".
300
$a
208 p.
500
$a
Source: Dissertation Abstracts International, Volume: 65-06, Section: A, page: 2063.
500
$a
Sponsor: Judith Burton.
502
$a
Thesis (Ed.D.)--Columbia University Teachers College, 2004.
520
$a
This study explores the art historical journey of clothing as it appears in figurative painting, sculpture, and installation art. It investigates the artist's rendering of dress as a potent visual phenomenon in the human world contributing greatly to the way human life looks and, even further, unfolds.
520
$a
The research examines the transition of dress in contemporary art as a departure from traditional clothing as an accoutrement for the body and represented as clothing abstracted from the body in order to investigate issues of identity. Reconciling identity through artistic practice, the empty dress in artistic form and content serves as an investigation of the tension among self, body, and identity.
520
$a
The method of inquiry best suited for this study draws upon the framework of David Kingery and Jules David Prown, whose theories on material culture help us understand both the subject matter of the study---material---and its purpose---the understanding of culture.
520
$a
The research is contextual as a case study method. I examine the lives and work of contemporary artists Louise Bourgeois and Kiki Smith in order to intensify selective issues at hand, namely the tension among body, self, and identity as reflected in dress as material culture.
520
$a
By adopting the dialectical nature of body/self, it is possible to examine the unity of the body and the self and to explore how they constitute each other. It is argued that dress in everyday life is always more than a shell; it is an intimate aspect of the experience and presentation of the self and is so closely linked to the identity that dress, the body, and the self are not perceived separately but simultaneously, as a totality.
520
$a
Reframing the object as the empty dress represents an art form and a form of life at the point of which the object's material existence symbolizes both objective and subjective change and thus the contradictory nature of material objects. This dichotomy suggests an endless vocabulary of formal oppositions whereas cloth becomes the medium, the material, the aesthetic, and the substance of much contemporary art.
590
$a
School code: 0055.
650
4
$a
Education, Art.
$3
1018432
650
4
$a
Art History.
$3
635474
650
4
$a
Fine Arts.
$3
891065
690
$a
0273
690
$a
0377
690
$a
0357
710
2 0
$a
Columbia University Teachers College.
$3
1250841
773
0
$t
Dissertation Abstracts International
$g
65-06A.
790
1 0
$a
Burton, Judith,
$e
advisor
790
$a
0055
791
$a
Ed.D.
792
$a
2004
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3135378
based on 0 review(s)
Location:
ALL
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9199924
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login