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Iambic configurations: Iambos from ...

Lavigne, Donald Edward, Jr.

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Iambic configurations: Iambos from Archilochus to Horace (Callimachus, Greece, Roman Republic, Roman Empire).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Iambic configurations: Iambos from Archilochus to Horace (Callimachus, Greece, Roman Republic, Roman Empire)./
作者:	Lavigne, Donald Edward, Jr.
面頁冊數:	202 p.
附註:	Source: Dissertation Abstracts International, Volume: 66-04, Section: A, page: 1345.
Contained By:	Dissertation Abstracts International66-04A.
標題:	Literature, Classical. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3171657
ISBN:	9780542083860

Iambic configurations: Iambos from Archilochus to Horace (Callimachus, Greece, Roman Republic, Roman Empire).
Lavigne, Donald Edward, Jr.

Iambic configurations: Iambos from Archilochus to Horace (Callimachus, Greece, Roman Republic, Roman Empire). - 202 p.

Source: Dissertation Abstracts International, Volume: 66-04, Section: A, page: 1345.

Thesis (Ph.D.)--Stanford University, 2005.

The aim of my dissertation is twofold. The first object of the study is to show that the poems of Archilochus, the reputed protos heuretes ("first founder") of the genre lambos, were performed rhapsodically. The second part of my dissertation explores the ways in which Horace and Callimachus don the masks of Archilochus and Hipponax. Throughout, this analysis explores the configuration of "iambic" features around a central, but multivalent, poet-persona, evident in these four iambic poets.

ISBN: 9780542083860Subjects--Topical Terms:

1017779
Literature, Classical.

Iambic configurations: Iambos from Archilochus to Horace (Callimachus, Greece, Roman Republic, Roman Empire).
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245 1 0 $a Iambic configurations: Iambos from Archilochus to Horace (Callimachus, Greece, Roman Republic, Roman Empire).
300 $a 202 p.
500 $a Source: Dissertation Abstracts International, Volume: 66-04, Section: A, page: 1345.
500 $a Adviser: Richard P. Martin.
502 $a Thesis (Ph.D.)--Stanford University, 2005.
520 $a The aim of my dissertation is twofold. The first object of the study is to show that the poems of Archilochus, the reputed protos heuretes ("first founder") of the genre lambos, were performed rhapsodically. The second part of my dissertation explores the ways in which Horace and Callimachus don the masks of Archilochus and Hipponax. Throughout, this analysis explores the configuration of "iambic" features around a central, but multivalent, poet-persona, evident in these four iambic poets.
520 $a The first half of the dissertation, then, presents a detailed analysis of Archilochean performance, stressing the unique quality of the poet-persona as a distinguishing feature of genre in the rhapsodic context. The performance of poetry attached to the names of Homer and Hesiod figures these poets as conduits of the Muses. This is in stark contrast to the poet-persona of Archilochus, who relates his triumphs and travails in a way that makes the disconnect between poet and performer obvious. The second half of the dissertation shows how later iambicists utilized this disconnect within a literary culture of the text. In detailed readings of their poems, this part of the study shows how gender and representation are implicated in the distance between poet-persona and performer, on the one hand, and author, on the other.
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790 1 0 $a Martin, Richard P., $e advisor
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791 $a Ph.D.
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