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Ethnographic research in Morocco: A...

Barnes, Maribea Woodington.

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Ethnographic research in Morocco: Analyzing contemporary artistic practices and visual culture.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Ethnographic research in Morocco: Analyzing contemporary artistic practices and visual culture./
作者:	Barnes, Maribea Woodington.
面頁冊數:	414 p.
附註:	Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 2990.
Contained By:	Dissertation Abstracts International69-08A.
標題:	Education, Art. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3325757
ISBN:	9780549776505

Ethnographic research in Morocco: Analyzing contemporary artistic practices and visual culture.
Barnes, Maribea Woodington.

Ethnographic research in Morocco: Analyzing contemporary artistic practices and visual culture. - 414 p.

Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 2990.

Thesis (Ph.D.)--The Ohio State University, 2008.

Over the last several decades numerous scholarly articles and books have been published on Moroccan art forms. Yet, these studies have consistently examined Morocco's traditional works or its older forms of artistic practices. Specifically, Morocco's ceramics objects and textiles are among the most commonly examined works. As a result of this emphasis, only a partial view of Morocco's rich artistic production has been presented. Currently, Moroccan Art is consistently viewed as static and the 19 th century western Orientalist image of Morocco has more or less remained. Visual Culture within the country and beyond its border continues to reinforce these antiquated perceptions.

ISBN: 9780549776505Subjects--Topical Terms:

1018432
Education, Art.

Ethnographic research in Morocco: Analyzing contemporary artistic practices and visual culture.
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520 $a Over the last several decades numerous scholarly articles and books have been published on Moroccan art forms. Yet, these studies have consistently examined Morocco's traditional works or its older forms of artistic practices. Specifically, Morocco's ceramics objects and textiles are among the most commonly examined works. As a result of this emphasis, only a partial view of Morocco's rich artistic production has been presented. Currently, Moroccan Art is consistently viewed as static and the 19 th century western Orientalist image of Morocco has more or less remained. Visual Culture within the country and beyond its border continues to reinforce these antiquated perceptions.
520 $a To identify the range of works of art produced within Morocco, a multi-method ethnographic approach was utilized. Using information drawn from fieldwork conducted in Morocco in 2002, 2004, and 2006, contemporary artistic practices were examined and analyzed within a social and historical context. Personal narratives from my fieldwork in 2006 added layers of information to enrich my study of Moroccan art and culture. My findings revealed that Morocco's rich historical past includes a multiplicity of cultures and influences. As a result, the country's contemporary artistic production mirrors the complexity of this past and reflects its current social and political situation within the global world. Moroccan Art is not static, but diverse and fluid. By studying a range of contemporary works of art and visual culture produced within the country, perceptions about Morocco's art forms and its people will be redefined.
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