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Un-naming the story: The poststructu...

Rolling, James Haywood, Jr.

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Un-naming the story: The poststructuralist repositioning of African-American identity in Western visual culture.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Un-naming the story: The poststructuralist repositioning of African-American identity in Western visual culture./
作者:	Rolling, James Haywood, Jr.
面頁冊數:	213 p.
附註:	Source: Dissertation Abstracts International, Volume: 64-11, Section: A, page: 3931.
Contained By:	Dissertation Abstracts International64-11A.
標題:	Education, Art. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3111025
ISBN:	9780496585557

Un-naming the story: The poststructuralist repositioning of African-American identity in Western visual culture.
Rolling, James Haywood, Jr.

Un-naming the story: The poststructuralist repositioning of African-American identity in Western visual culture. - 213 p.

Source: Dissertation Abstracts International, Volume: 64-11, Section: A, page: 3931.

Thesis (Ed.D.)--Teachers College, Columbia University, 2003.

Ugliness. Why does it seem to cleave so painfully to the flesh and blood, hair and bone of black folk? We are possessed it seems by the symbols of social stigma. Or have we embodied the stories and images that have discredited us within a modernist reductive discourse? If so, what has been our agency for undoing the normative texts that have ferociously named us? This study explores a transgressive postmodern research methodology that interrogates modernity. I will make the argument that the de/re/construction of collective African-American identity from categorical ugliness toward a constitutive role in Western social discourse was also one of the early movements into a contemporary postmodern condition.

ISBN: 9780496585557Subjects--Topical Terms:

1018432
Education, Art.

Un-naming the story: The poststructuralist repositioning of African-American identity in Western visual culture.
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520 $a Ugliness. Why does it seem to cleave so painfully to the flesh and blood, hair and bone of black folk? We are possessed it seems by the symbols of social stigma. Or have we embodied the stories and images that have discredited us within a modernist reductive discourse? If so, what has been our agency for undoing the normative texts that have ferociously named us? This study explores a transgressive postmodern research methodology that interrogates modernity. I will make the argument that the de/re/construction of collective African-American identity from categorical ugliness toward a constitutive role in Western social discourse was also one of the early movements into a contemporary postmodern condition.
520 $a The evidence for this repositioning is a part of Western visual culture. Thus a new methodology, a visual archaeology, has been derived for the deployment of this study. The data are autoethnographic, both collected and created; the text is itself an argument for a hybridized arts-based, arts-informed process. Texts, embodied in personal memory, blend with those ensconced within America's visual culture; both memory and culture are the target sites of an epistemological paradigm shift and a poststructuralist repositioning. In spite of the dominating archaeology of Western scientific modernity, this study shows that rogue narratives of social acceptability---a matrix of anomalous and ultimately transgressive (re)configurations of identity and methodology---have been employed to mediate the stubborn texts representing African-American stigmatization, freeing us to explore the borders of a postmodern "normality."
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