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On women's domestic work and knowled...
~
Luciani, Teresa C.
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On women's domestic work and knowledge: Growing up in an Italian kitchen.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
On women's domestic work and knowledge: Growing up in an Italian kitchen./
作者:
Luciani, Teresa C.
面頁冊數:
263 p.
附註:
Source: Dissertation Abstracts International, Volume: 67-06, Section: A, page: 2352.
Contained By:
Dissertation Abstracts International67-06A.
標題:
Home Economics. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NR15727
ISBN:
9780494157275
On women's domestic work and knowledge: Growing up in an Italian kitchen.
Luciani, Teresa C.
On women's domestic work and knowledge: Growing up in an Italian kitchen.
- 263 p.
Source: Dissertation Abstracts International, Volume: 67-06, Section: A, page: 2352.
Thesis (Ph.D.)--University of Toronto (Canada), 2006.
Shards. Pieces. Fragments. This is an arts-informed thesis where recipes, images and text are scattered and shattered all over the kitchen floor and (re)assembled to tell stories about women's ways of teaching and learning in the kitchen.
ISBN: 9780494157275Subjects--Topical Terms:
1019236
Home Economics.
On women's domestic work and knowledge: Growing up in an Italian kitchen.
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Through fiction, autoethnography and photographs I locate the kitchen as a place where identities, social roles and expectations are conveyed and contested. This is where Christina, her mother, along with me and my mother, enter the narrative: through the movement of our hands, the burns and bruises, confusion and surprise, the stains on Cristina's hands, the food I prepare in my kitchen. And it is here, in the kitchen, where we may come to better understand how gender, class, culture, sexuality are taught and learned, performed and challenged in the "doing" of domestic work. Abstract concepts are fleshed out in the small, ordinary acts and experiences---the fragments---that make up a life lived.
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In this manner, scratching the surface of mundane domestic chores exposes the depth and complexity of domestic knowledge; celebrates and values how and what women teach and learn in the kitchen; shows how knowledge not only resides in the mind of an individual but also in the body, the senses, and in relationship with others. In this sense, education becomes relational, contextual, embodied. Holistic.
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The kitchen, then, becomes a place where what we cook and eat are part of the moments, the actions, the practices that shape and inform us; where life lessons are imparted and learned. From here, the kitchen transforms from a physical location into a metaphorical site of inquiry where we may, through introspection and analysis, come to know more about ourselves; about how we see the world around us; and, about how we interact with others within a broader context, such as family, food, gender and work, culture, class, ethnicity, migration, storytelling and education.
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Included is "A Bibliography in Fragments" which makes visible the often invisible work involved in the making of an arts-informed thesis. Through fragmented stories I name sources not typically listed in a traditional Bibliographic section that informed my research.
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