English fiction - History and criticism. - 18th century
Overview
Works: | 69 works in 12 publications in 12 languages |
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Titles
The rise of the novel : = studies in Defoe, Richardson and Fielding /
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Caught between worlds : = British captivity narratives in fact and fiction /
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Desire and truth : = functions of plot in eighteenth-century English novels /
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History and the early English novel : = matters of fact from Bacon to Defoe /
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Criminality and narrative in eighteenth-century England : = beyond the law /
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Inventing the gothic corpse = the thrill of human remains in the eighteenth-century novel /
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(Electronic resources)
Familial feeling = entangled tonalities in early Black Atlantic writing and the rise of the British novel /
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(Electronic resources)
Masquerade and gender : = disguise and female identity in eighteenth-century fictions by women /
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The rise of the novel : = studies in Defoe, Richardson, and Fielding /
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Fiction and the shape of belief : = a study of Henry Fielding, with glances at Swift, Johnson, and Richardson /
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Common ground : = eighteenth-century English satiric fiction and the poor /
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Public and private : = gender, class, and the British novel (1764-1878) /
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The domestic revolution : = Enlightenment feminisms and the novel /
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British identities, heroic nationalisms, and the gothic novel, 1764-1824 /
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Novel relations : = the transformation of kinship in English literature and culture, 1748-1818 /
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The anthology and the rise of the novel = from Richardson to George Eliot /
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Matched pairs = gender and intertextual dialogue in eighteenth-century fiction /
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Conversion and reform in the British novel in the 1790s = a revolutionof opinions /
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(Electronic resources)
Property, education, and identity in late eighteenth-century fiction = the heroine of disinterest /
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Force or fraud = British seduction stories and the problem of resistance 1660-1760 /
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Women's domestic activity in the romantic-period novel, 1770-1820 = dangerous occupations /
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(Electronic resources)
The chain of becoming : = the philosophical tale, the novel, and a neglected realism of the Enlightenment : Swift, Montesquieu, Voltaire, Johnson, and Austen /
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The heroine's text : = readings in the French and English novel, 1722-1782 /
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How novels think : = the limits of British individualism from 1719-1900 /
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Licensing entertainment = the elevation of novel reading in Britain, 1684-1750 /
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