English fiction - History and criticism. - 19th century
Overview
| Works: | 212 works in 49 publications in 49 languages | |
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Titles
Darwin and the novelists : = patterns of science in Victorian fiction /
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Modernism and the post-colonial : = literature and Empire 1885-1930 /
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Wisps of violence : = producing public and private politics in the turn-of-the-century British novel /
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The Language of gender and class : = transformation in the Victorian novel /
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The Politics of survivorship : = incest, women's literature, and feminist theory /
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African identities : = race, nation and culture in ethnography, pan-Africanism and Black literatures /
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Is Heathcliffe a murderer? : = puzzles in nineteenth-century fiction /
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Who betrays Elizabeth Bennet? : = further puzzles in classic fiction /
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The birth of liberal guilt in the English novel : = Charles Dickens to H.G. Wells /
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Confessional subjects = revelations of gender and power in Victorian literature and culture /
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Spatial dynamics and female development in Victorian art and novels = creating a woman's space /
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Who betrays Elizabeth Bennet? = further puzzles in classic fiction /
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Is Heathcliff a murderer? = great puzzles in nineteenth-century literature /
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The afterlife of property = domestic security and the Victorian novel /
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The body economic : = life, death, and sensation in political economy and the Victorian novel /
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Fiction in the age of photography : = the legacy of British realism /
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The awkward age in women's popular fiction, 1850-1900 = girls and the transition to womanhood /
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The novelty of newspapers = Victorian fiction after the invention of the news /
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Rereading the nineteenth century = studies in the old criticism from Austen to Lawrence /
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Literature after Darwin : = human beasts in western fiction, 1859-1939 /
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Gender and ventriloquism in Victorian and neo-Victorian fiction = passionate puppets /
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The 'invisible hand' and British fiction 1818-1860 = Adam Smith, political economy, and the genre of realism /
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Feminine subjects in masculine fiction = modernity, will and desire, 1870-1910 /
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The vulgar question of money = heiresses, materialism, and the novel of manners from Jane Austen to Henry James /
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Charity and condescension = Victorian literature and the dilemmas of philanthropy /
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Darwin's plots : = evolutionary narrative in Darwin, George Eliot and nineteenth-century fiction /
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Gothic forensics = criminal investigative procedure in Victorian horror & mystery /
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Fictions of resolution in three Victorian novels : = North and South, Our mutual friend, Daniel Deronda /
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Nineteenth century popular fiction, medicine and anatomy = the Victorian penny blood and the 1832 Anatomy Act /
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An underground history of early Victorian fiction = Chartism, radical print culture, and the social problem novel /
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British detective fiction 1891-1901 = the successors to Sherlock Holmes /
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Familial feeling = entangled tonalities in early Black Atlantic writing and the rise of the British novel /
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The haunted house in women's ghost stories = gender, space and modernity, 1850-1945 /
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Postcolonial settings in the fiction of James Clarence Mangan, Joseph Sheridan Le Fanu and Bram Stoker = strange surroundings /
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Sensation fiction and modernity = the meanings of ambivalence in Mid-Victorian Britain /
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Darwin's plots : = evolutionary narrative in Darwin, George Eliot, and nineteenth-century fiction /
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Apartment stories : = city and home in nineteenth-century Paris and London /
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The presence of the present : = topics of the day in the Victorian novel /
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From custom to capital : = the English novel and the Industrial Revolution /
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The afterlife of property : = domestic security and the Victorian novel /
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Caught in the act : = theatricality in the nineteenth-century English novel /
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Shadowtime : = history and representation in Hardy, Conrad, and George Eliot /
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Erotic faith : = being in love from Jane Austen to D.H. Lawrence /
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Gossip and subversion in nineteenth-century British fiction : = echo's economies /
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Public and private : = gender, class, and the British novel (1764-1878) /
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A literature of their own : = from Charlotte Bronte to Doris Lessing /
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Love's madness : = medicine, the novel, and female insanity 1800-1865 /
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Dear reader : = the conscripted audience in nineteenth-century British fiction /
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British identities, heroic nationalisms, and the gothic novel, 1764-1824 /
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Novel possibilities = fiction and the formation of early Victorian culture /
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The reading lesson = the threat of mass literacy in nineteenth century British fiction /
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Caught in the act = theatricality in the nineteenth-century English novel /
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The marked body = domestic violence in mid-nineteenth-century literature /
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The crime in mind = criminal responsibility and the Victorian novel /
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Common scents = comparative encounters in high-Victorian fiction /
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Amnesiac selves = nostalgia, forgetting, and British fiction, 1810-1870 /
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Death and the mother from Dickens to Freud = Victorian fiction and the anxiety of origins /
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The anthology and the rise of the novel = from Richardson to George Eliot /
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Modernism, romance, and the fin de si墈cle = popular fiction and British culture, 1880-1914 /
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The language of gender and class = transformation in the Victorian novel /
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Figures of finance capitalism = writing, class, and capital in the age of Dickens /
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From Dickens to Dracula = Gothic, economics, and Victorian fiction /
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Detection & its designs = narrative & power in 19th-century detective fiction /
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Love and eugenics in the late nineteenth century : = rational reproduction and the new woman /
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The dandy in Irish and American southern fiction : = aristocratic drag /
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Philanthropy in British and American fiction : = Dickens, Hawthorne, Eliot, and Howells /
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The nineteenth century English novel = family ideology and narrative form /
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Crime and empire = the colony in nineteenth-century fictions of crime /
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Victorian detective fiction and the nature of evidence = the scientific investigations of Poe, Dickens, and Doyle /
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Heritage, nostalgia and modern British theatre = staging the Victorians /
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Unseasonable youth = modernism, colonialism, and the fiction of development /
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Women's authorship and editorship in Victorian culture = sensational strategies /
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Graphing Jane Austen : = the evolutionary basis of literary meaning /
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Women writers and detectives in nineteenth-century crime fiction = the mothers of the mystery genre /
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Femininity, crime and self-defence in Victorian literature and society = from dagger-fans to suffragettes /
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Semi-detached empire = suburbia and the colonization of Britain, 1880to the present /
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The dispossessed state = narratives of ownership in nineteenth-century Britain and Ireland /
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The dream life of citizens = late Victorian novels and the fantasy ofthe state /
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Postal plots in British fiction, 1840-1898 = readdressing correspondence in Victorian culture /
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Habit in the English Novel, 1850-1900 : = Lived Environments, Practices of the Self /
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Fin-de-Siècle fictions, 1890s-1990s : = apocalypse, technoscience, empire /
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Technologies of power in the Victorian period = print culture, human labor, and new modes of critique in Charles Dickens's Hard Times, Charlotte Bronte's Shirley, and George Eliot's Felix Holt /
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Dream revisionaries : = gender and genre in women's utopian fiction, 1870-1920 /
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Women and 'value' in Jane Austen's novels = settling, speculating and superfluity /
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Women's domestic activity in the romantic-period novel, 1770-1820 = dangerous occupations /
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Corrupt relations : = Dickens, Thackeray, Trollope, Collins, and the Victorian sexual system /
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How novels think : = the limits of British individualism from 1719-1900 /
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British women's writing from Bronte to Bloomsbury.. Volume 2,. 1860s and 1870s
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Settler colonialism in Victorian literature = economics and political identity in the networks of empire /
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Reading bodies in Victorian fiction = associationism, empathy and literary authority /
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Threatened masculinity from British fiction (1880-1915) to Cold War German cinema
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Authors and adaptation = writing across media in the nineteenth and early twentieth centuries /
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