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Multiculturalism in contemporary Fra...
~
Derderian, Richard Lawrence.
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Multiculturalism in contemporary France: Cultural productions from the North African immigrant community.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Multiculturalism in contemporary France: Cultural productions from the North African immigrant community./
作者:
Derderian, Richard Lawrence.
面頁冊數:
228 p.
附註:
Adviser: Donald M. Reid.
Contained By:
Dissertation Abstracts International58-04A.
標題:
History, European. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9730513
ISBN:
9780591398526
Multiculturalism in contemporary France: Cultural productions from the North African immigrant community.
Derderian, Richard Lawrence.
Multiculturalism in contemporary France: Cultural productions from the North African immigrant community.
- 228 p.
Adviser: Donald M. Reid.
Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 1996.
The author examines the problems posed by cultural diversity in contemporary France through a study of second-generation North African political activists and artists and of French cultural productions featuring France's diverse minority communities. The findings reveal how in the course of the 1980s the French left and right reached a consensus on the need to reaffirm traditional Republican conceptions of citizenship based on assimilationist practices and universalist ideals. The emphasis on targeting projects by members of particular minority communities or celebrating the right to difference, associated with the Socialist government of the early 1980s, quickly gave way to a general agreement on the need to redress common social and economic problems which affect all those at the bottom rungs of society.
ISBN: 9780591398526Subjects--Topical Terms:
1018076
History, European.
Multiculturalism in contemporary France: Cultural productions from the North African immigrant community.
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The author examines the problems posed by cultural diversity in contemporary France through a study of second-generation North African political activists and artists and of French cultural productions featuring France's diverse minority communities. The findings reveal how in the course of the 1980s the French left and right reached a consensus on the need to reaffirm traditional Republican conceptions of citizenship based on assimilationist practices and universalist ideals. The emphasis on targeting projects by members of particular minority communities or celebrating the right to difference, associated with the Socialist government of the early 1980s, quickly gave way to a general agreement on the need to redress common social and economic problems which affect all those at the bottom rungs of society.
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The reluctance of the French to embrace the merits of diversity, however, is to a large extent shared by members of France's minority communities. The discourse of second-generation North African artists and political activists reflects a deep commitment to universalist ideals. Feelings of difference and the desire for self affirmation through politics or culture stem largely from the failure of the French to allow minorities to enjoy the universalist values to which they wholeheartedly ascribe.
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Minorities in contemporary France are caught between two extremes. On the one hand, French representations of minorities, such as multi-ethnic television series, are guided by universalist ideals. Television programs featuring minorities project an image of a society where differences have either been rendered meaningless or have been reduced to superficial costumes or colorful backdrops. On the other hand, the French continue to view minorities within a particularist framework. Racism and discrimination, the most aggressive forms of particularist practices, provided the fuel for large numbers of political and cultural initiatives covered in this study. Between these two particularizing and neutralizing poles, one which denies universality and one which imposes it, there appears to be little middle ground.
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