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Graffiti: A visual vernacular as gra...

Choi, Sung Hun.

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Graffiti: A visual vernacular as graphic design source.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Graffiti: A visual vernacular as graphic design source./
作者:	Choi, Sung Hun.
面頁冊數:	98 p.
附註:	Adviser: Roger Baer.
Contained By:	Masters Abstracts International46-01.
標題:	Design and Decorative Arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1446067
ISBN:	9780549142324

Graffiti: A visual vernacular as graphic design source.
Choi, Sung Hun.

Graffiti: A visual vernacular as graphic design source. - 98 p.

Adviser: Roger Baer.

Thesis (M.F.A.)--Iowa State University, 2007.

Vernacular design, the language of the everyday locale, has perhaps always been a source for graphic designers. Graffiti, as one of the newer art forms to make the transition from vernacular design to graphic design is graffiti art. Graphic designers should understand something about the language and symbolism of this design resource if they are to use it wisely in their designs. Due to its short lifespan in the urban environment, designers must begin to record, understand, and study this evolving symbol system and art form. This study records and compares graffiti art forms in two regions of Chicago. Through case studies comparing Little Village and Wicker Park, the use of this language is examined, and parallels showing how this form of communication can inform graphic design.

ISBN: 9780549142324Subjects--Topical Terms:

1024640
Design and Decorative Arts.

Graffiti: A visual vernacular as graphic design source.
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