東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Kano Motonobu and early Kano narrati...

Phillips, Quitman Eugene.

FindBook

Google Book

Amazon

博客來

Kano Motonobu and early Kano narrative painting.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Kano Motonobu and early Kano narrative painting./
作者:	Phillips, Quitman Eugene.
面頁冊數:	310 p.
附註:	Co-Chairs: Maribeth Graybill; James Cahill.
Contained By:	Dissertation Abstracts International53-10A.
標題:	Art History. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9305039

Kano Motonobu and early Kano narrative painting.
Phillips, Quitman Eugene.

Kano Motonobu and early Kano narrative painting. - 310 p.

Co-Chairs: Maribeth Graybill; James Cahill.

Thesis (Ph.D.)--University of California, Berkeley, 1992.

Painters of the Kano House produced a significant number of multi-scenic narrative paintings in the sixteenth and seventeenth centuries. The first such works came out of the workshop of Kano Motonobu, the painter given primary credit for establishing the foundations of Kano success. The research conducted for this dissertation suggests that Motonobu developed a distinctive mode of pictorial narration in response to patron needs and that it had a significant impact on the narrative works of his followers.Subjects--Topical Terms:

635474
Art History.

Kano Motonobu and early Kano narrative painting.
LDR:02477nam 2200289 a 45 001 965759
005 20110908
008 110908s1992 eng d
035 $a (UnM)AAI9305039
035 $a AAI9305039
040 $a UnM $c UnM
100 1 $a Phillips, Quitman Eugene. $3 1288511
245 1 0 $a Kano Motonobu and early Kano narrative painting.
300 $a 310 p.
500 $a Co-Chairs: Maribeth Graybill; James Cahill.
500 $a Source: Dissertation Abstracts International, Volume: 53-10, Section: A, page: 3396.
502 $a Thesis (Ph.D.)--University of California, Berkeley, 1992.
520 $a Painters of the Kano House produced a significant number of multi-scenic narrative paintings in the sixteenth and seventeenth centuries. The first such works came out of the workshop of Kano Motonobu, the painter given primary credit for establishing the foundations of Kano success. The research conducted for this dissertation suggests that Motonobu developed a distinctive mode of pictorial narration in response to patron needs and that it had a significant impact on the narrative works of his followers.
520 $a The dissertation is divided into six chapters. The first looks at the rhetorical nature of early painting histories and suggests that their reliability is limited. It takes a particularly critical look at the role played by the wa-kan (Japanese-Chinese) dichotomy in early Kano texts. The second chapter examines the career of Motonobu's father, Masanobu, to gain a better understanding of Motonobu's fundamental training. The third looks at Motonobu's relationship with the Tosa family and suggests that their impact on Motonobu's narrative painting was limited. Chapter Four analyzes the narrative structures of works by Motonobu and Tosa Mitsunobu. A comparison of their two approaches helps confirm conclusions drawn in the previous chapter. Chapter Five uses analyses of a selected group of thirteenth- and fourteenth-century pictorial narratives to suggest the types of models Motonobu's own works drew upon. The last chapter looks at Motonobu's legacy in pictorial narration through examination of various Kano illustrations of the Shuten doji story.
590 $a School code: 0028.
650 4 $a Art History. $3 635474
650 4 $a Biography. $3 531296
690 $a 0304
690 $a 0377
710 2 0 $a University of California, Berkeley. $3 687832
773 0 $t Dissertation Abstracts International $g 53-10A.
790 $a 0028
790 1 0 $a Cahill, James, $e advisor
790 1 0 $a Graybill, Maribeth, $e advisor
791 $a Ph.D.
792 $a 1992
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9305039