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Bodhisattva headdresses and hairstyl...

Schmidt, Carolyn Woodford.

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Bodhisattva headdresses and hairstyles in the Buddhist art of Gandhara and related regions of Swat and Afghanistan. (Volumes I-III).

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Bodhisattva headdresses and hairstyles in the Buddhist art of Gandhara and related regions of Swat and Afghanistan. (Volumes I-III)./
作者:	Schmidt, Carolyn Woodford.
面頁冊數:	1121 p.
附註:	Adviser: John C. Huntington.
Contained By:	Dissertation Abstracts International51-10A.
標題:	Anthropology, Cultural. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9031143

Bodhisattva headdresses and hairstyles in the Buddhist art of Gandhara and related regions of Swat and Afghanistan. (Volumes I-III).
Schmidt, Carolyn Woodford.

Bodhisattva headdresses and hairstyles in the Buddhist art of Gandhara and related regions of Swat and Afghanistan. (Volumes I-III). - 1121 p.

Adviser: John C. Huntington.

Thesis (Ph.D.)--The Ohio State University, 1990.

Flourishing during the centuries that surround the turn of the Christian era, the Buddhist artistic tradition of Bactro-Gandhara, a region now part of modern Pakistan and Afghanistan, holds a unique and distinguished place in the history of South Asian religions and culture. While a number of theoretical approaches to the study of this tradition have been undertaken, increased definition is required to fully understand and appreciate the merits of the Buddhist school and the complex interchange of influences from which the art evolved.Subjects--Topical Terms:

735016
Anthropology, Cultural.

Bodhisattva headdresses and hairstyles in the Buddhist art of Gandhara and related regions of Swat and Afghanistan. (Volumes I-III).
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035 $a (UnM)AAI9031143
035 $a AAI9031143
040 $a UnM $c UnM
100 1 $a Schmidt, Carolyn Woodford. $3 1288507
245 1 0 $a Bodhisattva headdresses and hairstyles in the Buddhist art of Gandhara and related regions of Swat and Afghanistan. (Volumes I-III).
300 $a 1121 p.
500 $a Adviser: John C. Huntington.
500 $a Source: Dissertation Abstracts International, Volume: 51-10, Section: A, page: 3260.
502 $a Thesis (Ph.D.)--The Ohio State University, 1990.
520 $a Flourishing during the centuries that surround the turn of the Christian era, the Buddhist artistic tradition of Bactro-Gandhara, a region now part of modern Pakistan and Afghanistan, holds a unique and distinguished place in the history of South Asian religions and culture. While a number of theoretical approaches to the study of this tradition have been undertaken, increased definition is required to fully understand and appreciate the merits of the Buddhist school and the complex interchange of influences from which the art evolved.
520 $a Relying primarily on the sculptures and archaeological evidence from recently excavated sites, this work is principally composed of detailed typological studies of Bodhisattva headdresses and hair styles. The study is offered in three parts: a section of contextual and historical information, a section of analytical studies of Bodhisattva headdresses and hair styles, and a section of appendices that include several hundred Bodhisattva images and additional support materials.
520 $a Delineated in Chapter I are the issues related to geographical, political, historical, and religious considerations. The history of scholarship and the relationship of the Buddhist tradition in Bactro-Gandhara to Western and other Asiatic traditions are the foci of Chapter II. Chapter III introduces the lines of development and evolution of Bodhisattva types as attested by the art. Chapter IV is primarily concerned with the exploration and analysis of artistic evidence for the development of the turban-wearing Bodhisattva type while Chapter V deals with similar issues for the jatamukuta-wearing Bodhisattva type.
520 $a The study demonstrates the general tendencies in the evolution of Bodhisattva images and provides significant new definition to the school's foundations in Indic culture. It also offers insight into the assimilation of characteristics emanating from the Mediterranean and western Asiatic cultural spheres. The organization and analysis of the artistic evidence present overwhelming support for a continuous, relative chronological pattern of development and reveal the advanced state of the Mahayana iconographic vocabulary in the Bactro-Gandharan region by the second or third century A.D.
590 $a School code: 0168.
650 4 $a Anthropology, Cultural. $3 735016
650 4 $a Art History. $3 635474
650 4 $a Fine Arts. $3 891065
650 4 $a Religion, History of. $3 1017471
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710 2 0 $a The Ohio State University. $3 718944
773 0 $t Dissertation Abstracts International $g 51-10A.
790 $a 0168
790 1 0 $a Huntington, John C., $e advisor
791 $a Ph.D.
792 $a 1990
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9031143