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Traveling through space: Stylistic p...

Strausz, Laszlo.

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Traveling through space: Stylistic progression and camera movement.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Traveling through space: Stylistic progression and camera movement./
作者:	Strausz, Laszlo.
面頁冊數:	310 p.
附註:	Adviser: Greg M. Smith.
Contained By:	Dissertation Abstracts International68-04A.
標題:	Cinema. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3260575

Traveling through space: Stylistic progression and camera movement.
Strausz, Laszlo.

Traveling through space: Stylistic progression and camera movement. - 310 p.

Adviser: Greg M. Smith.

Thesis (Ph.D.)--Georgia State University, 2007.

Index words. History of film style, Normative- and Figurative Textual Codes, Camera movement, Tracking shot, Interaction of Style and Cultural MotifsSubjects--Topical Terms:

854529
Cinema.

Traveling through space: Stylistic progression and camera movement.
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245 1 0 $a Traveling through space: Stylistic progression and camera movement.
300 $a 310 p.
500 $a Adviser: Greg M. Smith.
500 $a Source: Dissertation Abstracts International, Volume: 68-04, Section: A, page: 1196.
502 $a Thesis (Ph.D.)--Georgia State University, 2007.
520 $a Index words. History of film style, Normative- and Figurative Textual Codes, Camera movement, Tracking shot, Interaction of Style and Cultural Motifs
520 $a This project examines the how camera movement as a stylistic element is used as a storytelling device in the films of select international filmmakers. The main intention of the study is to trace the changing function of the mobile frame to see how a specific stylistic element develops across different narrative paradigms, national industries and between "early" and contemporary periods of filmmakers. My primary assertion is that the norms guiding the development of the tracking camera expand gradually from normative functions toward figurative uses. In order to be able to differentiate between normative and figurative uses of the tracking camera with conceptual clarity, this project adapts Roland Barthes's typology about the narrative function of distinctive textual/stylistic units. Barthes' conceptual framework becomes functional by assigning specific codes (hermeneutic, the semic , the proairetic, the symbolic and the cultural codes) to the interactions of the elements of narration.
520 $a When transforming and changing the function of stylistic elements across their films, artists respond to a wide range of industrial, technological, aesthetic, cultural factors, from which this study focuses on socio-cultural trends. The underlying assumption of this project holds that the mentioned trends can be detected in the stylistic choices of artists. This study takes a bottom-up route: starting with an analytical interpretation of a specific aesthetic device, it moves towards an explanation that connects camera movement to larger, dynamic signifying systems. The arch of my project traces the relation between normative and figurative textual codes through the prism of camera movement.
590 $a School code: 0079.
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