語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Sporting modernity: Sports, art, an...
~
Skrypzak, Joann Maria.
FindBook
Google Book
Amazon
博客來
Sporting modernity: Sports, art, and the athletic body in Germany, 1918--1938.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Sporting modernity: Sports, art, and the athletic body in Germany, 1918--1938./
作者:
Skrypzak, Joann Maria.
面頁冊數:
397 p.
附註:
Adviser: Barbara C. Buenger.
Contained By:
Dissertation Abstracts International68-04A.
標題:
Art History. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3261511
Sporting modernity: Sports, art, and the athletic body in Germany, 1918--1938.
Skrypzak, Joann Maria.
Sporting modernity: Sports, art, and the athletic body in Germany, 1918--1938.
- 397 p.
Adviser: Barbara C. Buenger.
Thesis (Ph.D.)--The University of Wisconsin - Madison, 2007.
Following World War I, sports became a popular phenomenon in Germany that critics often derided as a faddish "cult." But sports and art institutions and avant-garde artists looked more closely, and critically, at sports' potential to rejuvenate and cultivate a harmonious, democratic society. This dissertation examines images of sports in the visual arts in Weimar Germany to explore how its institutions and artists forged a link between sports and art and gave new visual form to ideas about the athletic body. It focuses on the 1930 sports-art exhibition Sports as Cultural Factor , sports at the Bauhaus school of design, and the sports pictures of Laszlo Moholy-Nagy, Anton Raderscheidt, and Willi Baumeister as exemplary case studies. Sports as Cultural Factor linked sports, culture, and national identity as it enlisted art to define German sports culture as aesthetic and ethical. A key part of the German Olympic Committee's pitch to host the 1936 Olympics in Berlin, its humanist view of sports art offers an insightful contrast to that of the 1936 "Nazi" Olympics themselves. The Bauhaus used sports to make art and artist training responsive to postwar social conditions. Its reform pedagogy inspired new ways of depicting the body, stressing its inherent form and function rather than conventions of ideal beauty. Based on this approach, the sports photomontages of Moholy-Nagy alternately define the athlete as a self-determined individual; a utopian "whole man" based on his Bauhaus writings; and a figure compromised by shifting gender relations, militarism, colonialism, or industrialism. Raderscheidt's sports paintings explore the challenge the "emancipated," athletic new woman posed to the modern "companionate" marriage. They first stress how her autonomous, nude athletics threaten her male counterpart, and then reduce her to a mere object of the gaze. Drawing on life-reform and technocratic concepts of the body as natural or mechanical, Baumeister's 1920s sports pictures present the athletic body motif as a rational technology of embodied expression. His 1930s works expand the view of embodied athletic experience to include the nonrational.Subjects--Topical Terms:
635474
Art History.
Sporting modernity: Sports, art, and the athletic body in Germany, 1918--1938.
LDR
:03048nam 2200265 a 45
001
955075
005
20110622
008
110622s2007 eng d
035
$a
(UMI)AAI3261511
035
$a
AAI3261511
040
$a
UMI
$c
UMI
100
1
$a
Skrypzak, Joann Maria.
$3
1278534
245
1 0
$a
Sporting modernity: Sports, art, and the athletic body in Germany, 1918--1938.
300
$a
397 p.
500
$a
Adviser: Barbara C. Buenger.
500
$a
Source: Dissertation Abstracts International, Volume: 68-04, Section: A, page: 1193.
502
$a
Thesis (Ph.D.)--The University of Wisconsin - Madison, 2007.
520
$a
Following World War I, sports became a popular phenomenon in Germany that critics often derided as a faddish "cult." But sports and art institutions and avant-garde artists looked more closely, and critically, at sports' potential to rejuvenate and cultivate a harmonious, democratic society. This dissertation examines images of sports in the visual arts in Weimar Germany to explore how its institutions and artists forged a link between sports and art and gave new visual form to ideas about the athletic body. It focuses on the 1930 sports-art exhibition Sports as Cultural Factor , sports at the Bauhaus school of design, and the sports pictures of Laszlo Moholy-Nagy, Anton Raderscheidt, and Willi Baumeister as exemplary case studies. Sports as Cultural Factor linked sports, culture, and national identity as it enlisted art to define German sports culture as aesthetic and ethical. A key part of the German Olympic Committee's pitch to host the 1936 Olympics in Berlin, its humanist view of sports art offers an insightful contrast to that of the 1936 "Nazi" Olympics themselves. The Bauhaus used sports to make art and artist training responsive to postwar social conditions. Its reform pedagogy inspired new ways of depicting the body, stressing its inherent form and function rather than conventions of ideal beauty. Based on this approach, the sports photomontages of Moholy-Nagy alternately define the athlete as a self-determined individual; a utopian "whole man" based on his Bauhaus writings; and a figure compromised by shifting gender relations, militarism, colonialism, or industrialism. Raderscheidt's sports paintings explore the challenge the "emancipated," athletic new woman posed to the modern "companionate" marriage. They first stress how her autonomous, nude athletics threaten her male counterpart, and then reduce her to a mere object of the gaze. Drawing on life-reform and technocratic concepts of the body as natural or mechanical, Baumeister's 1920s sports pictures present the athletic body motif as a rational technology of embodied expression. His 1930s works expand the view of embodied athletic experience to include the nonrational.
590
$a
School code: 0262.
650
4
$a
Art History.
$3
635474
650
4
$a
History, European.
$3
1018076
690
$a
0335
690
$a
0377
710
2
$a
The University of Wisconsin - Madison.
$3
626640
773
0
$t
Dissertation Abstracts International
$g
68-04A.
790
$a
0262
790
1 0
$a
Buenger, Barbara C.,
$e
advisor
791
$a
Ph.D.
792
$a
2007
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3261511
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9119511
電子資源
11.線上閱覽_V
電子書
EB W9119511
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入