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The piano etudes of A. P. F. Boely (...

Kim, Taeseong.

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The piano etudes of A. P. F. Boely (1785--1858): A stylistic analysis.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The piano etudes of A. P. F. Boely (1785--1858): A stylistic analysis./
作者:	Kim, Taeseong.
面頁冊數:	165 p.
附註:	Adviser: Scott Price.
Contained By:	Dissertation Abstracts International68-07A.
標題:	Biography. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3272460
ISBN:	9780549127031

The piano etudes of A. P. F. Boely (1785--1858): A stylistic analysis.
Kim, Taeseong.

The piano etudes of A. P. F. Boely (1785--1858): A stylistic analysis. - 165 p.

Adviser: Scott Price.

Thesis (D.M.A.)--University of South Carolina, 2007.

Alexander Pierre Francois Boely (1785-1858) was a pianist, organist, composer, teacher, and staunch conservative advocating composition by indigenous French composers during the formative years of the development of musical culture in Paris, France. Lesser known than his foreign contemporaries (Cramer, Czerny, Moscheles, Clementi, Chopin, and Liszt), he contributed significantly to the rich cultural music heritage of the era and to the piano literature generated during the first half of the nineteenth century.

ISBN: 9780549127031Subjects--Topical Terms:

531296
Biography.

The piano etudes of A. P. F. Boely (1785--1858): A stylistic analysis.
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520 $a Alexander Pierre Francois Boely (1785-1858) was a pianist, organist, composer, teacher, and staunch conservative advocating composition by indigenous French composers during the formative years of the development of musical culture in Paris, France. Lesser known than his foreign contemporaries (Cramer, Czerny, Moscheles, Clementi, Chopin, and Liszt), he contributed significantly to the rich cultural music heritage of the era and to the piano literature generated during the first half of the nineteenth century.
520 $a The focus of the study is a stylistic and theoretical analysis of Boely's one hundred piano etudes composed in three volumes, Opp. 2, 6, and 13. Historical background is provided, including an analysis of each etude, and a discussion of their stylistic features and specific technical and musical idioms employed by the composer.
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