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Myroslav Skoryk: Life and solo piano...
~
Markiw, Victor Radoslav.
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Myroslav Skoryk: Life and solo piano works.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Myroslav Skoryk: Life and solo piano works./
作者:
Markiw, Victor Radoslav.
面頁冊數:
167 p.
附註:
Source: Dissertation Abstracts International, Volume: 68-07, Section: A, page: 2722.
Contained By:
Dissertation Abstracts International68-07A.
標題:
Biography. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3270966
ISBN:
9780549110408
Myroslav Skoryk: Life and solo piano works.
Markiw, Victor Radoslav.
Myroslav Skoryk: Life and solo piano works.
- 167 p.
Source: Dissertation Abstracts International, Volume: 68-07, Section: A, page: 2722.
Thesis (D.M.A.)--University of Connecticut, 2007.
This dissertation's subject is the life and solo piano works of internationally renowned Ukrainian composer Myroslav Skoryk (b. 1938). Chapter 1 provides biographical data and a general synopsis of Skoryk's stylistic development, beginning with student works from the 1950s. Chapter 2 presents a chronological analysis of Skoryk's solo piano works, revealing his compositional style, recurring stylistic hallmarks, and general maturation, thereby revealing the composer's use of two disparate folk traditions: Ukrainian and American. Chapter 3 provides a detailed analysis of a representative work, the Burlesque (1963), focusing on the formal and harmonic practice utilized by Skoryk.
ISBN: 9780549110408Subjects--Topical Terms:
531296
Biography.
Myroslav Skoryk: Life and solo piano works.
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Source: Dissertation Abstracts International, Volume: 68-07, Section: A, page: 2722.
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This dissertation's subject is the life and solo piano works of internationally renowned Ukrainian composer Myroslav Skoryk (b. 1938). Chapter 1 provides biographical data and a general synopsis of Skoryk's stylistic development, beginning with student works from the 1950s. Chapter 2 presents a chronological analysis of Skoryk's solo piano works, revealing his compositional style, recurring stylistic hallmarks, and general maturation, thereby revealing the composer's use of two disparate folk traditions: Ukrainian and American. Chapter 3 provides a detailed analysis of a representative work, the Burlesque (1963), focusing on the formal and harmonic practice utilized by Skoryk.
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The author's interviews with Myroslav Skoryk (December 2004) bring to light the composer's thoughts on his artistic and personal development and include a significant number of previously unrevealed insights. These interviews represent a notable addition to Skoryk scholarship. The Appendix provides necessary information for accessing the scores of the solo piano works discussed in this dissertation.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3270966
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