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Three cello sonatas after World War ...
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An, Won-Hee.
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Three cello sonatas after World War Two: Poulenc, Prokofiev, Carter.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Three cello sonatas after World War Two: Poulenc, Prokofiev, Carter./
作者:
An, Won-Hee.
面頁冊數:
140 p.
附註:
Adviser: Joel L. Sheveloff.
Contained By:
Dissertation Abstracts International68-04A.
標題:
Biography. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3259802
Three cello sonatas after World War Two: Poulenc, Prokofiev, Carter.
An, Won-Hee.
Three cello sonatas after World War Two: Poulenc, Prokofiev, Carter.
- 140 p.
Adviser: Joel L. Sheveloff.
Thesis (D.M.A.)--Boston University, 2007.
A guide to understanding the three sonatas is provided with analysis of musical form, style and historical context.Subjects--Topical Terms:
531296
Biography.
Three cello sonatas after World War Two: Poulenc, Prokofiev, Carter.
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Adviser: Joel L. Sheveloff.
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Source: Dissertation Abstracts International, Volume: 68-04, Section: A, page: 1206.
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Thesis (D.M.A.)--Boston University, 2007.
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A guide to understanding the three sonatas is provided with analysis of musical form, style and historical context.
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World War Two was the most horrible war in world history. It affected millions of human lives including that of artists and musicians. This dissertation discusses three cello sonatas by Prokofiev, Poulenc, and Carter, written shortly after WWII. One should pay specific attention to the effect WWII had on these composers and how the post war environment manifests itself in these three works.
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Each of these composers lived in different countries where they were affected by WWII in widely differing ways. Carter had a sheltered and safe life in the USA. He did serve in the US military by working at the United States Office of War Information. Poulenc saw his hometown occupied by Nazis, and his country later liberated. Prokofiev's country was deceived and later invaded by the Nazis and St. Petersburg, then Leningrad, experienced one of the worst periods in its history during the 900 day siege. As a result styles and techniques of these three composers vary widely in spite of choosing the same instrumentation for these works.
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This dissertation discusses interpretive choices for performers regarding each work. I have provided etudes and suggestions, such as pedaling and phrasing. I also have provided a historical context for each work with discussion of economic and human reaction and response to WWII and the resulting musical effects.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3259802
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