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The 3 Pigs: Interactive performance.
~
Torres Villarreal, Ana Magdalena.
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The 3 Pigs: Interactive performance.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The 3 Pigs: Interactive performance./
作者:
Torres Villarreal, Ana Magdalena.
面頁冊數:
48 p.
附註:
Adviser: Gerald Habarth.
Contained By:
Masters Abstracts International46-04.
標題:
Design and Decorative Arts. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1451677
ISBN:
9780549429319
The 3 Pigs: Interactive performance.
Torres Villarreal, Ana Magdalena.
The 3 Pigs: Interactive performance.
- 48 p.
Adviser: Gerald Habarth.
Thesis (M.F.A.)--West Virginia University, 2007.
"The 3 Pigs," by Ana Torres Villarreal, is an interactive performance, a dramatic parody within the realm of conceptual art. Transplanting the moral from a traditional tale, "The Three Little Pigs," to a current world of politics and iconized and institutional ideas, "The 3 Pigs" questions definitions and ways of acting. The objective was to trigger the interactive process and bring awareness to alliances that attribute identities and provokes fear towards the other. The pigs-wolves situation and the gallery-artist situation are related to the U.S.-Mexico situation. Connected by the idea for the need for "walls" to protect' them from a specific interaction, fear converts society, represented by the pigs and audience members, into the terrorists, the wolves. The script treats fear as a major ingredient for failure and an instrument for political manipulation. The "other" becomes the wolf, and the "wall" becomes a symbol. Separating the good ones (pigs) and the bad ones (wolves), the symbol acquires major importance.
ISBN: 9780549429319Subjects--Topical Terms:
1024640
Design and Decorative Arts.
The 3 Pigs: Interactive performance.
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"The 3 Pigs," by Ana Torres Villarreal, is an interactive performance, a dramatic parody within the realm of conceptual art. Transplanting the moral from a traditional tale, "The Three Little Pigs," to a current world of politics and iconized and institutional ideas, "The 3 Pigs" questions definitions and ways of acting. The objective was to trigger the interactive process and bring awareness to alliances that attribute identities and provokes fear towards the other. The pigs-wolves situation and the gallery-artist situation are related to the U.S.-Mexico situation. Connected by the idea for the need for "walls" to protect' them from a specific interaction, fear converts society, represented by the pigs and audience members, into the terrorists, the wolves. The script treats fear as a major ingredient for failure and an instrument for political manipulation. The "other" becomes the wolf, and the "wall" becomes a symbol. Separating the good ones (pigs) and the bad ones (wolves), the symbol acquires major importance.
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