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Stitching together our story: Africa...

Lampley, Gary L.

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Stitching together our story: African American style influences on high fashion.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Stitching together our story: African American style influences on high fashion./
作者:	Lampley, Gary L.
面頁冊數:	72 p.
附註:	Advisers: Maria Ann Conelli; Valerie Steele.
Contained By:	Masters Abstracts International45-01.
標題:	Anthropology, Cultural. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1437679
ISBN:	9780542859502

Stitching together our story: African American style influences on high fashion.
Lampley, Gary L.

Stitching together our story: African American style influences on high fashion. - 72 p.

Advisers: Maria Ann Conelli; Valerie Steele.

Thesis (M.A.)--State University of New York Empire State College, 2006.

Stitching Together our Story: African American Style Influences on High Fashion investigates how African American style has influenced high fashion, by looking at the inspiration that clothing by people of African descent has provided for modern western culture. In addition, it will explore the ways in which those selections have played a central role in the development of fashion as a major modern visual art.

ISBN: 9780542859502Subjects--Topical Terms:

735016
Anthropology, Cultural.

Stitching together our story: African American style influences on high fashion.
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520 $a Stitching Together our Story: African American Style Influences on High Fashion investigates how African American style has influenced high fashion, by looking at the inspiration that clothing by people of African descent has provided for modern western culture. In addition, it will explore the ways in which those selections have played a central role in the development of fashion as a major modern visual art.
520 $a The study of fashion as social history remains a small discipline whose focus is costume and textiles. My research explores the history of appearance and illustrates the historical, visual, and material culture viewpoints to contemplate meanings and uses of clothing by people of African descent. My objective was to produce a visual and written construction of social criticism which would illustrate that the mainstream does not represent sameness, but instead celebrates the beautiful mosaic and individuality of all, and to initiate an intelligent discourse.
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