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Shakespeare, the illusion of depth, ...
~
Cook, Amy.
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Shakespeare, the illusion of depth, and the science of parts: An integration of cognitive science and performance studies.
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Shakespeare, the illusion of depth, and the science of parts: An integration of cognitive science and performance studies./
Author:
Cook, Amy.
Description:
286 p.
Notes:
Adviser: Bryan Reynolds.
Contained By:
Dissertation Abstracts International67-05A.
Subject:
Literature, English. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3217529
ISBN:
9780542719905
Shakespeare, the illusion of depth, and the science of parts: An integration of cognitive science and performance studies.
Cook, Amy.
Shakespeare, the illusion of depth, and the science of parts: An integration of cognitive science and performance studies.
- 286 p.
Adviser: Bryan Reynolds.
Thesis (Ph.D.)--University of California, San Diego, 2006.
My dissertation interrogates theatre and performance theory through the lens of recent developments in cognitive science. I explore the power of poetry in performance to illuminate the connection and seams between body and language, actor and character, fact and fiction. I reexamine some of the work of new critics and new historicists given the latest developments within neuroscience and suggest a path of integration between the sciences and literary and theatre theory. Rather than simply referencing scientific research as supplemental evidentiary material to a re-reading of Hamlet, I investigate how cognitive science can unveil Shakespeare's textual theatrics and spot light blind spots in theatre and performance theory.
ISBN: 9780542719905Subjects--Topical Terms:
1017709
Literature, English.
Shakespeare, the illusion of depth, and the science of parts: An integration of cognitive science and performance studies.
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Shakespeare, the illusion of depth, and the science of parts: An integration of cognitive science and performance studies.
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286 p.
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Adviser: Bryan Reynolds.
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Source: Dissertation Abstracts International, Volume: 67-05, Section: A, page: 1590.
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Thesis (Ph.D.)--University of California, San Diego, 2006.
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My dissertation interrogates theatre and performance theory through the lens of recent developments in cognitive science. I explore the power of poetry in performance to illuminate the connection and seams between body and language, actor and character, fact and fiction. I reexamine some of the work of new critics and new historicists given the latest developments within neuroscience and suggest a path of integration between the sciences and literary and theatre theory. Rather than simply referencing scientific research as supplemental evidentiary material to a re-reading of Hamlet, I investigate how cognitive science can unveil Shakespeare's textual theatrics and spot light blind spots in theatre and performance theory.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3217529
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