東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

"Hamlet"'s Arab journey: Adventures...

Litvin, Margaret.

FindBook

Google Book

Amazon

博客來

"Hamlet"'s Arab journey: Adventures in political culture and drama (1952--2002).

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	"Hamlet"'s Arab journey: Adventures in political culture and drama (1952--2002)./
作者:	Litvin, Margaret.
面頁冊數:	268 p.
附註:	Adviser: Joel Kraemer.
Contained By:	Dissertation Abstracts International67-05A.
標題:	Anthropology, Cultural. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3219551
ISBN:	9780542710957

"Hamlet"'s Arab journey: Adventures in political culture and drama (1952--2002).
Litvin, Margaret.

"Hamlet"'s Arab journey: Adventures in political culture and drama (1952--2002). - 268 p.

Adviser: Joel Kraemer.

Thesis (Ph.D.)--The University of Chicago, 2006.

This study traces the appropriations of Shakespeare's Hamlet in modern Arabic literature and Arab public culture. Drawing on methods from anthropology, literary history, and performance studies, I show how Hamlet came to the Arab world through a "global kaleidoscope" of models and has been deployed to serve a variety of rhetorical ends. Today's Arab polemicists tend to use "to be or not to be" as an urgent, collective call to arms. Such rhetoric relies on a shared image of Hamlet as a positive revolutionary hero, a martyr for justice in an out-of-joint world. Challenging the prevailing accounts of postcolonial literary appropriation, I argue that this image developed in the Egyptian theatre in the 1960s in dialogue with a broad array of international artistic models (particularly Soviet and Eastern versions) and in response to local political needs. The heroic Arab Hamlet enjoyed a brief heyday after 1970, only to wither by 1976 under a blistering post-political irony. Recent Arab offshoot plays have featured passive, silent anti-Hamlets as protagonists; instead, their imaginative center is a monstrous and self-justifying Claudius. Offering the first systematic account of Arab Hamlet appropriation, my study helps illuminate the shifting political reflexes and rhetorical strategies of twentieth-century intellectuals in Egypt, Jordan, Syria, and Iraq. By focusing on Hamlet himself as a political rewriter, it also highlights an often forgotten dimension of Shakespeare's text.

ISBN: 9780542710957Subjects--Topical Terms:

735016
Anthropology, Cultural.

"Hamlet"'s Arab journey: Adventures in political culture and drama (1952--2002).
LDR:02445nam 2200313 a 45 001 946340
005 20110523
008 110523s2006 ||||||||||||||||| ||eng d
020 $a 9780542710957
035 $a (UMI)AAI3219551
035 $a AAI3219551
040 $a UMI $c UMI
100 1 $a Litvin, Margaret. $3 1269748
245 1 0 $a "Hamlet"'s Arab journey: Adventures in political culture and drama (1952--2002).
300 $a 268 p.
500 $a Adviser: Joel Kraemer.
500 $a Source: Dissertation Abstracts International, Volume: 67-05, Section: A, page: 1748.
502 $a Thesis (Ph.D.)--The University of Chicago, 2006.
520 $a This study traces the appropriations of Shakespeare's Hamlet in modern Arabic literature and Arab public culture. Drawing on methods from anthropology, literary history, and performance studies, I show how Hamlet came to the Arab world through a "global kaleidoscope" of models and has been deployed to serve a variety of rhetorical ends. Today's Arab polemicists tend to use "to be or not to be" as an urgent, collective call to arms. Such rhetoric relies on a shared image of Hamlet as a positive revolutionary hero, a martyr for justice in an out-of-joint world. Challenging the prevailing accounts of postcolonial literary appropriation, I argue that this image developed in the Egyptian theatre in the 1960s in dialogue with a broad array of international artistic models (particularly Soviet and Eastern versions) and in response to local political needs. The heroic Arab Hamlet enjoyed a brief heyday after 1970, only to wither by 1976 under a blistering post-political irony. Recent Arab offshoot plays have featured passive, silent anti-Hamlets as protagonists; instead, their imaginative center is a monstrous and self-justifying Claudius. Offering the first systematic account of Arab Hamlet appropriation, my study helps illuminate the shifting political reflexes and rhetorical strategies of twentieth-century intellectuals in Egypt, Jordan, Syria, and Iraq. By focusing on Hamlet himself as a political rewriter, it also highlights an often forgotten dimension of Shakespeare's text.
590 $a School code: 0330.
650 4 $a Anthropology, Cultural. $3 735016
650 4 $a Literature, Comparative. $3 530051
650 4 $a Literature, English. $3 1017709
650 4 $a Literature, Middle Eastern. $3 1018103
650 4 $a Theater. $3 522973
690 $a 0295
690 $a 0315
690 $a 0326
690 $a 0465
690 $a 0593
710 2 $a The University of Chicago. $3 1017389
773 0 $t Dissertation Abstracts International $g 67-05A.
790 $a 0330
790 1 0 $a Kraemer, Joel, $e advisor
791 $a Ph.D.
792 $a 2006
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3219551