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Patriarchal fallacies East and West:...

Lai, Sufen Sophia.

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Patriarchal fallacies East and West: A comparative study of gender imposition in the writings of Hell.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Patriarchal fallacies East and West: A comparative study of gender imposition in the writings of Hell./
作者:	Lai, Sufen Sophia.
面頁冊數:	252 p.
附註:	Adviser: Michael Palencia-Roth.
Contained By:	Dissertation Abstracts International53-10A.
標題:	Anthropology, Cultural. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9305594

Patriarchal fallacies East and West: A comparative study of gender imposition in the writings of Hell.
Lai, Sufen Sophia.

Patriarchal fallacies East and West: A comparative study of gender imposition in the writings of Hell. - 252 p.

Adviser: Michael Palencia-Roth.

Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1992.

In the structuralist's seemingly profound theory of "binary opposition" is a danger of institutionalizing gender. It is my contention in this project that "gender imposition" is a patriarchal and theological projection derived from the institutionalization of symbolic orders. By "gender imposition" I mean the symbolization of gender imposed through the projection of a patriarchal value system, particularly the theological one.Subjects--Topical Terms:

735016
Anthropology, Cultural.

Patriarchal fallacies East and West: A comparative study of gender imposition in the writings of Hell.
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500 $a Source: Dissertation Abstracts International, Volume: 53-10, Section: A, page: 3519.
502 $a Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1992.
520 $a In the structuralist's seemingly profound theory of "binary opposition" is a danger of institutionalizing gender. It is my contention in this project that "gender imposition" is a patriarchal and theological projection derived from the institutionalization of symbolic orders. By "gender imposition" I mean the symbolization of gender imposed through the projection of a patriarchal value system, particularly the theological one.
520 $a This project seeks to deconstruct the "gender imposition" projected in the symbolic system of the Underworld in both Chinese and Western cultures. It compares the descent into Hell in the Epic tradition of Homer, Virgil, and Dante (Greco-Roman-Judeo-Christian tradition) with the descent into the Underworld in Chinese "supernatural tales" (chih-kuai genre) and Chinese "transformation texts" (pien-wen genre), which embody the Confucian, Taoist, and Buddhist ideologies. Cultural values among these Western and non-Western traditions reveal a pattern of "gender imposition," the projection of a patriarchal value system.
520 $a By looking into the evolution of the Underworld in both cultures, it will be evident that the Jungian "archetype" is actually a historically determined product, based on patrilineal values and projecting a masculine symbolic system. It is, then, erroneous to say that the so-called "archetype" is an innate and eternal signifier, as Jung understood it, that reflects or describes natural phenomena and permanent image-patterns. Such a system evolves image-patterns that Jung mistakenly concluded to be "eternal archetypes." The same can be said about the Chinese Yin-Yang binary pair: it projects a masculine symbolic system that perpetuates anti-female image-patterns. This project compares the conception of Hell and journey patterns to it, both Eastern and Western, from a gender perspective in order to demonstrate that both the Jungian archetypal system and the Chinese Yin-Yang theory are culturally determined fallacies, projections derived from a patriarchal masculine symbolic system.
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