東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

"Raven's Reprise": A significant jun...

Khatchadourian, Annie.

FindBook

Google Book

Amazon

博客來

"Raven's Reprise": A significant juncture in the developing exhibition practices of Canadian museums with regard to First Nations Art.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	"Raven's Reprise": A significant juncture in the developing exhibition practices of Canadian museums with regard to First Nations Art./
作者:	Khatchadourian, Annie.
面頁冊數:	124 p.
附註:	Source: Masters Abstracts International, Volume: 46-01, page: 0004.
Contained By:	Masters Abstracts International46-01.
標題:	Art History. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR28968
ISBN:	9780494289686

"Raven's Reprise": A significant juncture in the developing exhibition practices of Canadian museums with regard to First Nations Art.
Khatchadourian, Annie.

"Raven's Reprise": A significant juncture in the developing exhibition practices of Canadian museums with regard to First Nations Art. - 124 p.

Source: Masters Abstracts International, Volume: 46-01, page: 0004.

Thesis (M.A.)--Concordia University (Canada), 2007.

This thesis deals with exhibition practices of Canadian cultural establishments regarding First Nations art at the turn of the twenty-first century. I consider Raven's Reprise, which was held at the Museum of Anthropology at the University of British Columbia from January 26th 2000 to January 14th 2001, as a case study for discussing the juxtaposition of historical Northwest Coast objects and contemporary art. The thesis describes the Northwest Coast area and discusses the different peoples and their culture and it examines the history and development of their artistic production. It also deals with the formation of the Task Force on Museums and First Peoples, including its report and recommendations from 1992. This thesis also discusses contemporary First Nations art from 1960 until 2000, and demonstrates that Raven's Reprise was representative of work being done by contemporary artists at the time it was shown. Furthermore, this thesis focuses on one of the central issues of Raven's Reprise: exhibiting contemporary work in an ethnological environment. It is my premise throughout this thesis that Raven's Reprise was a significant effort to educate the museum-going public about the continuing presence of contemporary Northwest Coast art and artists, and that it was an influential and groundbreaking exhibition because of its attempts to educate and its success in creating lasting dialogue and debate.

ISBN: 9780494289686Subjects--Topical Terms:

635474
Art History.

"Raven's Reprise": A significant juncture in the developing exhibition practices of Canadian museums with regard to First Nations Art.
LDR:02279nam 2200265 a 45 001 943342
005 20110520
008 110520s2007 ||||||||||||||||| ||eng d
020 $a 9780494289686
035 $a (UMI)AAIMR28968
035 $a AAIMR28968
040 $a UMI $c UMI
100 1 $a Khatchadourian, Annie. $3 1267384
245 1 0 $a "Raven's Reprise": A significant juncture in the developing exhibition practices of Canadian museums with regard to First Nations Art.
300 $a 124 p.
500 $a Source: Masters Abstracts International, Volume: 46-01, page: 0004.
502 $a Thesis (M.A.)--Concordia University (Canada), 2007.
520 $a This thesis deals with exhibition practices of Canadian cultural establishments regarding First Nations art at the turn of the twenty-first century. I consider Raven's Reprise, which was held at the Museum of Anthropology at the University of British Columbia from January 26th 2000 to January 14th 2001, as a case study for discussing the juxtaposition of historical Northwest Coast objects and contemporary art. The thesis describes the Northwest Coast area and discusses the different peoples and their culture and it examines the history and development of their artistic production. It also deals with the formation of the Task Force on Museums and First Peoples, including its report and recommendations from 1992. This thesis also discusses contemporary First Nations art from 1960 until 2000, and demonstrates that Raven's Reprise was representative of work being done by contemporary artists at the time it was shown. Furthermore, this thesis focuses on one of the central issues of Raven's Reprise: exhibiting contemporary work in an ethnological environment. It is my premise throughout this thesis that Raven's Reprise was a significant effort to educate the museum-going public about the continuing presence of contemporary Northwest Coast art and artists, and that it was an influential and groundbreaking exhibition because of its attempts to educate and its success in creating lasting dialogue and debate.
590 $a School code: 0228.
650 4 $a Art History. $3 635474
650 4 $a Museology. $3 1018504
650 4 $a Native American Studies. $3 626633
690 $a 0377
690 $a 0730
690 $a 0740
710 2 $a Concordia University (Canada). $3 1018569
773 0 $t Masters Abstracts International $g 46-01.
790 $a 0228
791 $a M.A.
792 $a 2007
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR28968