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Visual constructions of corporate id...
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Bauer, Charlotte D.
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Visual constructions of corporate identity for the University of Paris, 1200--1500.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Visual constructions of corporate identity for the University of Paris, 1200--1500./
作者:
Bauer, Charlotte D.
面頁冊數:
266 p.
附註:
Adviser: Anne D. Hedeman.
Contained By:
Dissertation Abstracts International68-06A.
標題:
Art History. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3269838
ISBN:
9780549091905
Visual constructions of corporate identity for the University of Paris, 1200--1500.
Bauer, Charlotte D.
Visual constructions of corporate identity for the University of Paris, 1200--1500.
- 266 p.
Adviser: Anne D. Hedeman.
Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2007.
Visual images representing the medieval University of Paris and its sub-groups (i.e., colleges, faculties, and 'nations') survive in a range of media, including painted miniatures, seals, and sculpture. The majority of these works have not been previously studied from an art historical perspective and are commonly interpreted as mere scenes of everyday university life when, in fact, they are highly constructed images that reflect varying notions of group identity for the institution. This dissertation treats the surviving material as a single corpus in order to examine broadly the modes of visual display and particularized iconography used to represent the University and its members, and more specifically how visual iconography helped shape the University's flexible corporate identity.
ISBN: 9780549091905Subjects--Topical Terms:
635474
Art History.
Visual constructions of corporate identity for the University of Paris, 1200--1500.
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Visual images representing the medieval University of Paris and its sub-groups (i.e., colleges, faculties, and 'nations') survive in a range of media, including painted miniatures, seals, and sculpture. The majority of these works have not been previously studied from an art historical perspective and are commonly interpreted as mere scenes of everyday university life when, in fact, they are highly constructed images that reflect varying notions of group identity for the institution. This dissertation treats the surviving material as a single corpus in order to examine broadly the modes of visual display and particularized iconography used to represent the University and its members, and more specifically how visual iconography helped shape the University's flexible corporate identity.
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