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Mission impossible? Zacheta National...

Lisiewicz, Malgorzata.

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Mission impossible? Zacheta National Gallery of Art at the end of the 20th century.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Mission impossible? Zacheta National Gallery of Art at the end of the 20th century./
作者:	Lisiewicz, Malgorzata.
面頁冊數:	293 p.
附註:	Adviser: Martha Ward.
Contained By:	Dissertation Abstracts International68-05A.
標題:	Art History. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3262260
ISBN:	9780549016236

Mission impossible? Zacheta National Gallery of Art at the end of the 20th century.
Lisiewicz, Malgorzata.

Mission impossible? Zacheta National Gallery of Art at the end of the 20th century. - 293 p.

Adviser: Martha Ward.

Thesis (Ph.D.)--The University of Chicago, 2007.

This dissertation is devoted to reflection about the politics of national identity as expressed in Poland in the 1990s by the exhibition program of the Zacheta National Gallery of Art. The intention is to see how the concept of national identity associated with traditional culture was dealt with in the exhibition practice of Gallery Director Anda Rottenberg, who gave Zacheta in the 1990s a preeminently contemporary profile. The goal was to see whether at the end of the 20th century, in times of intense globalization and of the unification of Europe, the notion of national identity can still be operative, in particular for an institution dedicated to the promotion and presentation of contemporary art associated more with negation than affirmation of the notion of national identity.

ISBN: 9780549016236Subjects--Topical Terms:

635474
Art History.

Mission impossible? Zacheta National Gallery of Art at the end of the 20th century.
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520 $a This dissertation is devoted to reflection about the politics of national identity as expressed in Poland in the 1990s by the exhibition program of the Zacheta National Gallery of Art. The intention is to see how the concept of national identity associated with traditional culture was dealt with in the exhibition practice of Gallery Director Anda Rottenberg, who gave Zacheta in the 1990s a preeminently contemporary profile. The goal was to see whether at the end of the 20th century, in times of intense globalization and of the unification of Europe, the notion of national identity can still be operative, in particular for an institution dedicated to the promotion and presentation of contemporary art associated more with negation than affirmation of the notion of national identity.
520 $a The analyses trace changes that the concept of national identity underwent and describe how its new understanding is reflected in museum practice. The analyses take into account various aspects of curatorial work, such as the mode of installation of works in the space and the narrative developed by the visual compositions of the presentations. In several cases the shows organized at Zacheta are compared with other exhibitions in order to put into relief features of Zacheta's role and functioning that are socially and culturally specific. In order to situate the reflection deeper in the Polish context, the dissertation proposes also a view on the use of national ideology in the organization of shows at Zacheta during the Communist era. Besides analyses of exhibitions' structures, the ways the audience of the national gallery was imagined and addressed in both periods of Polish history are compared. The study devotes also attention to the audience's responses to Zacheta's program, while interpreting these reactions as a way of defining the national art gallery by the Polish society.
520 $a Apart from the articulation of new ways of dealing with the issue of national identity, the reflection attempts to point to those moments in the particular examples of curatorial practice that may become a constructive force for community-building in today's world.
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