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Poetics of allusion: Tu Fu, Li Shang...

Liu, Wan.

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Poetics of allusion: Tu Fu, Li Shang-yin, Ezra Pound, and T. S. Eliot.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Poetics of allusion: Tu Fu, Li Shang-yin, Ezra Pound, and T. S. Eliot./
作者:	Liu, Wan.
面頁冊數:	268 p.
附註:	Source: Dissertation Abstracts International, Volume: 53-09, Section: A, page: 3203.
Contained By:	Dissertation Abstracts International53-09A.
標題:	Literature, American. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9302054

Poetics of allusion: Tu Fu, Li Shang-yin, Ezra Pound, and T. S. Eliot.
Liu, Wan.

Poetics of allusion: Tu Fu, Li Shang-yin, Ezra Pound, and T. S. Eliot. - 268 p.

Source: Dissertation Abstracts International, Volume: 53-09, Section: A, page: 3203.

Thesis (Ph.D.)--Princeton University, 1992.

This dissertation focuses on the most distinct functions of allusion in the poetry of Tu Fu, Li Shang-yin, Ezra Pound, and T. S. Eliot. The basic premise of this study is that allusion in the works of these poets is not merely decorative but is constitutive of meaning. This constitutive function of allusion is predicated on the poets' conscientious exploration of the function of culture and tradition, shaped by the formal designs of their poetic works and correlated to the manifold vision of life established in their poetry. Situated in the formal context of structural complexity typical of these poets, allusion plays an indispensable role in generating multiple possibilities of meaning. Approaching allusion via rhetoric and via philosophy, the dissertation demonstrates that allusion enacts these poets' need to overcome the inadequacy of language and enforce a transhistorical vision of experience.Subjects--Topical Terms:

1017657
Literature, American.

Poetics of allusion: Tu Fu, Li Shang-yin, Ezra Pound, and T. S. Eliot.
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245 1 0 $a Poetics of allusion: Tu Fu, Li Shang-yin, Ezra Pound, and T. S. Eliot.
300 $a 268 p.
500 $a Source: Dissertation Abstracts International, Volume: 53-09, Section: A, page: 3203.
502 $a Thesis (Ph.D.)--Princeton University, 1992.
520 $a This dissertation focuses on the most distinct functions of allusion in the poetry of Tu Fu, Li Shang-yin, Ezra Pound, and T. S. Eliot. The basic premise of this study is that allusion in the works of these poets is not merely decorative but is constitutive of meaning. This constitutive function of allusion is predicated on the poets' conscientious exploration of the function of culture and tradition, shaped by the formal designs of their poetic works and correlated to the manifold vision of life established in their poetry. Situated in the formal context of structural complexity typical of these poets, allusion plays an indispensable role in generating multiple possibilities of meaning. Approaching allusion via rhetoric and via philosophy, the dissertation demonstrates that allusion enacts these poets' need to overcome the inadequacy of language and enforce a transhistorical vision of experience.
520 $a Chapter One provides a general theoretic framework about language and experience that unites the poets of diverse cultural backgrounds. While examining traditional conceptions of allusion, the chapter defines the common ground between the two cultural groups of poets, and interprets the significance of allusion in terms of the Chinese and western philosophies of language and self. Each of the four middle chapters, from Chapter Two to Chapter Five, discusses an individual poet. Each chapter explores the representative features of allusion and the philosophical implications of allusion in the historical context of the poet in question. Chapter Six speculates on the poetics of allusion in view of the dynamic function of allusion as revealed in the examinations of works by these four poets.
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650 4 $a Literature, Asian. $3 1017599
650 4 $a Literature, Comparative. $3 530051
650 4 $a Literature, English. $3 1017709
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