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Physicality and the Edmonton electro...
~
Kelly, Robert Thomas.
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Physicality and the Edmonton electronic dance music experience (Alberta).
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Physicality and the Edmonton electronic dance music experience (Alberta)./
Author:
Kelly, Robert Thomas.
Description:
105 p.
Notes:
Adviser: Regula Qureshi.
Contained By:
Masters Abstracts International41-01.
Subject:
Dance. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MQ69432
ISBN:
0612694321
Physicality and the Edmonton electronic dance music experience (Alberta).
Kelly, Robert Thomas.
Physicality and the Edmonton electronic dance music experience (Alberta).
- 105 p.
Adviser: Regula Qureshi.
Thesis (M.A.)--University of Alberta (Canada), 2001.
Encountering meaning as somehow directly related to the tangible, to our bodies and physical senses has recently begun to be explored in music and dance studies. This theses explores electronic dance music as fundamentally physical, studying how physical characteristics of an experience (sound, light, chemicals, and motion) shape a particular, personal music experience. Drawing on ethnographic research in Edmonton, Alberta, Canada, this thesis examines three aspects of a dance experience: sound, physical context, and state. After analyzing a track and a set, both basic musical building blocks of the sounds of dance music, I locate the experience of those sounds in a particular spaces. I then consider how the bodies that experience dance music act (through movement, dancing) and are acted upon (through chemicals).
ISBN: 0612694321Subjects--Topical Terms:
610547
Dance.
Physicality and the Edmonton electronic dance music experience (Alberta).
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Source: Masters Abstracts International, Volume: 41-01, page: 0012.
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Encountering meaning as somehow directly related to the tangible, to our bodies and physical senses has recently begun to be explored in music and dance studies. This theses explores electronic dance music as fundamentally physical, studying how physical characteristics of an experience (sound, light, chemicals, and motion) shape a particular, personal music experience. Drawing on ethnographic research in Edmonton, Alberta, Canada, this thesis examines three aspects of a dance experience: sound, physical context, and state. After analyzing a track and a set, both basic musical building blocks of the sounds of dance music, I locate the experience of those sounds in a particular spaces. I then consider how the bodies that experience dance music act (through movement, dancing) and are acted upon (through chemicals).
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MQ69432
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W9102594
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