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Javanese gamelan in Britain: Commun...

Mendonca, Maria Emma.

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Javanese gamelan in Britain: Communitas, affinity and other stories (Indonesia).

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Javanese gamelan in Britain: Communitas, affinity and other stories (Indonesia)./
Author:	Mendonca, Maria Emma.
Description:	598 p.
Notes:	Adviser: Mark Slobin.
Contained By:	Dissertation Abstracts International63-03A.
Subject:	Education, Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3045758
ISBN:	0493597204

Javanese gamelan in Britain: Communitas, affinity and other stories (Indonesia).
Mendonca, Maria Emma.

Javanese gamelan in Britain: Communitas, affinity and other stories (Indonesia). - 598 p.

Adviser: Mark Slobin.

Thesis (Ph.D.)--Wesleyan University, 2002.

What is behind the spread and popularity of gamelan performance outside Indonesia? This dissertation attempts to answer this question through considering the development of one type of gamelan, Central Javanese, in one region (Britain). The answer involves locating gamelan performance in a network of regional and international affiliations, both contemporary and historical, at the same time describing the interplay with supercultural ideologies and a wide range of personal motivations and musical interests on the part of the performers.

ISBN: 0493597204Subjects--Topical Terms:

1017808
Education, Music.

Javanese gamelan in Britain: Communitas, affinity and other stories (Indonesia).
LDR:02095nam 2200289 a 45 001 930833
005 20110429
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020 $a 0493597204
035 $a (UnM)AAI3045758
035 $a AAI3045758
040 $a UnM $c UnM
100 1 $a Mendonca, Maria Emma. $3 1254380
245 1 0 $a Javanese gamelan in Britain: Communitas, affinity and other stories (Indonesia).
300 $a 598 p.
500 $a Adviser: Mark Slobin.
500 $a Source: Dissertation Abstracts International, Volume: 63-03, Section: A, page: 0811.
502 $a Thesis (Ph.D.)--Wesleyan University, 2002.
520 $a What is behind the spread and popularity of gamelan performance outside Indonesia? This dissertation attempts to answer this question through considering the development of one type of gamelan, Central Javanese, in one region (Britain). The answer involves locating gamelan performance in a network of regional and international affiliations, both contemporary and historical, at the same time describing the interplay with supercultural ideologies and a wide range of personal motivations and musical interests on the part of the performers.
520 $a Certainly, with the diversity of the people involved, no single reason suffices. Gamelan has ‘struck a chord’ with a wide variety of people for an equally wide variety of reasons. It will however, be demonstrated that a significant part of the appeal of Javanese gamelan in Britain (both to individuals, and—on an ideological level—to British music education, which has been a particular nurturer of gamelan activity) is its perceived ability to represent a ‘utopian musical community’ on a number of levels, suggesting parallels to and applications of Turner's tripartite notion of “communitas” (Turner 1969, 1982).
590 $a School code: 0255.
650 4 $a Education, Music. $3 1017808
650 4 $a Music. $3 516178
690 $a 0413
690 $a 0522
710 2 0 $a Wesleyan University. $3 1058128
773 0 $t Dissertation Abstracts International $g 63-03A.
790 $a 0255
790 1 0 $a Slobin, Mark, $e advisor
791 $a Ph.D.
792 $a 2002
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3045758