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Javanese gamelan in Britain: Commun...

Mendonca, Maria Emma.

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Javanese gamelan in Britain: Communitas, affinity and other stories (Indonesia).

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Javanese gamelan in Britain: Communitas, affinity and other stories (Indonesia)./
作者:	Mendonca, Maria Emma.
面頁冊數:	598 p.
附註:	Adviser: Mark Slobin.
Contained By:	Dissertation Abstracts International63-03A.
標題:	Education, Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3045758
ISBN:	0493597204

Javanese gamelan in Britain: Communitas, affinity and other stories (Indonesia).
Mendonca, Maria Emma.

Javanese gamelan in Britain: Communitas, affinity and other stories (Indonesia). - 598 p.

Adviser: Mark Slobin.

Thesis (Ph.D.)--Wesleyan University, 2002.

What is behind the spread and popularity of gamelan performance outside Indonesia? This dissertation attempts to answer this question through considering the development of one type of gamelan, Central Javanese, in one region (Britain). The answer involves locating gamelan performance in a network of regional and international affiliations, both contemporary and historical, at the same time describing the interplay with supercultural ideologies and a wide range of personal motivations and musical interests on the part of the performers.

ISBN: 0493597204Subjects--Topical Terms:

1017808
Education, Music.

Javanese gamelan in Britain: Communitas, affinity and other stories (Indonesia).
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500 $a Source: Dissertation Abstracts International, Volume: 63-03, Section: A, page: 0811.
502 $a Thesis (Ph.D.)--Wesleyan University, 2002.
520 $a What is behind the spread and popularity of gamelan performance outside Indonesia? This dissertation attempts to answer this question through considering the development of one type of gamelan, Central Javanese, in one region (Britain). The answer involves locating gamelan performance in a network of regional and international affiliations, both contemporary and historical, at the same time describing the interplay with supercultural ideologies and a wide range of personal motivations and musical interests on the part of the performers.
520 $a Certainly, with the diversity of the people involved, no single reason suffices. Gamelan has ‘struck a chord’ with a wide variety of people for an equally wide variety of reasons. It will however, be demonstrated that a significant part of the appeal of Javanese gamelan in Britain (both to individuals, and—on an ideological level—to British music education, which has been a particular nurturer of gamelan activity) is its perceived ability to represent a ‘utopian musical community’ on a number of levels, suggesting parallels to and applications of Turner's tripartite notion of “communitas” (Turner 1969, 1982).
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