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No longer innocent: The book arts i...

Bright, Betty Taylor.

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No longer innocent: The book arts in America, 1960 to 1980.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	No longer innocent: The book arts in America, 1960 to 1980./
Author:	Bright, Betty Taylor.
Description:	476 p.
Notes:	Major Adviser: Robert B. Silberman.
Contained By:	Dissertation Abstracts International61-03A.
Subject:	Art History. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9966212
ISBN:	0599708425

No longer innocent: The book arts in America, 1960 to 1980.
Bright, Betty Taylor.

No longer innocent: The book arts in America, 1960 to 1980. - 476 p.

Major Adviser: Robert B. Silberman.

Thesis (Ph.D.)--University of Minnesota, 2000.

“No Longer Innocent: The Book Arts in America, 1960 to 1980” traces the emergence of the artist's book in America during the sixties and seventies in its three manifestations: the fine press book, the deluxe book, and the bookwork. The discussion considers the characteristics of the artist's book and the issues it raises that stem from its dual nature, that is its identity as both book and art. Those issues include the art world's historical bias against craft, questions of rarity and value arising from works made in multiple copies, and the challenge posed to traditional artistic media by the artistic use of commercial printing technologies. In fact, this history broadens the portrayal of the artists of the period to encompass the role of an independent publisher, or even of an artist standing at a copier or offset press. Together with the discussions of specific books and artists, this history also considers the book arts' own institutional development, along with the related worlds of typography, trade book publishing and independent publishing.

ISBN: 0599708425Subjects--Topical Terms:

635474
Art History.

No longer innocent: The book arts in America, 1960 to 1980.
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020 $a 0599708425
035 $a (UnM)AAI9966212
035 $a AAI9966212
040 $a UnM $c UnM
100 1 $a Bright, Betty Taylor. $3 1249785
245 1 0 $a No longer innocent: The book arts in America, 1960 to 1980.
300 $a 476 p.
500 $a Major Adviser: Robert B. Silberman.
500 $a Source: Dissertation Abstracts International, Volume: 61-03, Section: A, page: 0799.
502 $a Thesis (Ph.D.)--University of Minnesota, 2000.
520 $a “No Longer Innocent: The Book Arts in America, 1960 to 1980” traces the emergence of the artist's book in America during the sixties and seventies in its three manifestations: the fine press book, the deluxe book, and the bookwork. The discussion considers the characteristics of the artist's book and the issues it raises that stem from its dual nature, that is its identity as both book and art. Those issues include the art world's historical bias against craft, questions of rarity and value arising from works made in multiple copies, and the challenge posed to traditional artistic media by the artistic use of commercial printing technologies. In fact, this history broadens the portrayal of the artists of the period to encompass the role of an independent publisher, or even of an artist standing at a copier or offset press. Together with the discussions of specific books and artists, this history also considers the book arts' own institutional development, along with the related worlds of typography, trade book publishing and independent publishing.
520 $a The discussion begins with two chapters that concern European and American precursors from the late nineteenth century up to 1960, followed by two chapters that focus on the U.S. artist's book in the sixties and seventies. This study investigates how the book affected art movements sympathetic to its properties and potential, as a site and source of art-making, and in particular it considers key artists' books that responded to a specific art movement, like Pop, Fluxus or Conceptualism. In addition, this dissertation traces an identifiable trend from the mid fifties, that consists of artists who have chosen to work with books, simply from a recognition that the book is an artifact that can inhabit both private and public realms, a performative object that can enact an artist's ideal of directly addressing an audience one-on-one.
590 $a School code: 0130.
650 4 $a Art History. $3 635474
650 4 $a Fine Arts. $3 891065
650 4 $a Library Science. $3 881164
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710 2 0 $a University of Minnesota. $3 676231
773 0 $t Dissertation Abstracts International $g 61-03A.
790 $a 0130
790 1 0 $a Silberman, Robert B., $e advisor
791 $a Ph.D.
792 $a 2000
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9966212