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Graffiti: Vandalism or urban art form?

Clabaugh, Penelope B.

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Graffiti: Vandalism or urban art form?

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Graffiti: Vandalism or urban art form?/
作者:	Clabaugh, Penelope B.
面頁冊數:	44 p.
附註:	Adviser: P. Sanchez.
Contained By:	Masters Abstracts International39-02.
標題:	Anthropology, Cultural. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1402013
ISBN:	0599994002

Graffiti: Vandalism or urban art form?
Clabaugh, Penelope B.

Graffiti: Vandalism or urban art form? - 44 p.

Adviser: P. Sanchez.

Thesis (M.A.)--California State University, Dominguez Hills, 2000.

Although many observers consider modern urban graffiti an obnoxious act of vandalism, others view it as the quintessential art form of the alienated urban self. Graffiti has been a form of expression ever since humans had the ability to symbolize through graphic means, and though it tends to be connected with urban struggles, wars, politics and rebellion, its variants, including cave paintings, petroglyphs, and unofficial public murals, appear to strive for some status as popular art form.

ISBN: 0599994002Subjects--Topical Terms:

735016
Anthropology, Cultural.

Graffiti: Vandalism or urban art form?
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520 $a Although many observers consider modern urban graffiti an obnoxious act of vandalism, others view it as the quintessential art form of the alienated urban self. Graffiti has been a form of expression ever since humans had the ability to symbolize through graphic means, and though it tends to be connected with urban struggles, wars, politics and rebellion, its variants, including cave paintings, petroglyphs, and unofficial public murals, appear to strive for some status as popular art form.
520 $a The present study made use of primary and secondary sources concerning graffiti. The arguments for and against graffiti as art or vandalism are presented as well as major explanations or interpretations of graffiti. Results are presented in chapters on the history of graffiti; conclusions subsequently follow.
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