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Victorian aesthetic conditions = Pat...

Clements, Elicia, (1970-)

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Victorian aesthetic conditions = Pater across the arts /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Victorian aesthetic conditions/ edited by Elicia Clements and Lesley J. Higgins.
其他題名:	Pater across the arts /
其他作者:	Clements, Elicia,
出版者:	Houndmills, Basingstoke ;Palgrave Macmillan, : 2010.,
面頁冊數:	xii, 260 p. :ill.
內容註:	Introduction: The Aesthetic Life: Conditions of Interdisciplinarity /E.Clements & L.Higgins -- Art and the Museum / J.Siegel -- Pater and Contemporary Visual Art / B.Bullen -- The Necessity of Corot and Whistler in Paters Network of Painters/ L.Higgins -- Critical Connections andQuotational Strategies: Allegory and Aestheticism in Pater and Simeon Solomon / C.Cruise -- Paters Auxerre Tapestry / K.Daley -- Sculpture, Style and Paters Imaginative Sense of Touch/ L.stermark-Johansen -- ThePainting as Physical Object in a Verbal Portrait: Paters A Prince of Court Painters and Wildes The Portrait of Mr. W. H. / N.Kelvin -- WalterPater, Film Theorist/ C.Williams -- Paters Musical Imagination: The Aural Architecture of The School of Giorgione and Marius the Epicurean /E.Clements -- Haunted Stages: Walter Pater and the Theatrical Mode of Life / A.Eastham -- Paters Politics/ M.Potolsky-- The Spirit on its Way to Perfection?: Paterian Self-Culture and Friedrich Schillers Aesthetic Education / K.Hext -- The Art of the Novel: Pater and Fiction / L.Brake.
標題:	Criticism - History - 19th century. - Great Britain -
電子資源:	http://link.springer.com/10.1057/9780230281431access to fulltext (Palgrave)
ISBN:	0230281435

Victorian aesthetic conditions = Pater across the arts /
Victorian aesthetic conditionsPater across the arts /[electronic resource] :edited by Elicia Clements and Lesley J. Higgins. - Houndmills, Basingstoke ;Palgrave Macmillan,2010. - xii, 260 p. :ill.

Includes bibliographical references and index.

Introduction: The Aesthetic Life: Conditions of Interdisciplinarity /E.Clements & L.Higgins -- Art and the Museum / J.Siegel -- Pater and Contemporary Visual Art / B.Bullen -- The Necessity of Corot and Whistler in Paters Network of Painters/ L.Higgins -- Critical Connections andQuotational Strategies: Allegory and Aestheticism in Pater and Simeon Solomon / C.Cruise -- Paters Auxerre Tapestry / K.Daley -- Sculpture, Style and Paters Imaginative Sense of Touch/ L.stermark-Johansen -- ThePainting as Physical Object in a Verbal Portrait: Paters A Prince of Court Painters and Wildes The Portrait of Mr. W. H. / N.Kelvin -- WalterPater, Film Theorist/ C.Williams -- Paters Musical Imagination: The Aural Architecture of The School of Giorgione and Marius the Epicurean /E.Clements -- Haunted Stages: Walter Pater and the Theatrical Mode of Life / A.Eastham -- Paters Politics/ M.Potolsky-- The Spirit on its Way to Perfection?: Paterian Self-Culture and Friedrich Schillers Aesthetic Education / K.Hext -- The Art of the Novel: Pater and Fiction / L.Brake.

For Walter Pater, 'true aesthetic criticism' takes place when one isworking across the arts, acknowledging differences of media and defining their 'limitations', but always seeking possibilities of interconnection. Only in this way can the arts and aesthetic criticism 'lend each other new forces'. This collection of thirteen essays by a team of international scholars vividly demonstrates the interartistic reach and continuing significance of his writings. Part I concentrates specificallyon nineteenth-century painting and Victorian museum theory. Part II explores the dynamic arts, both traditional (sculpture, music, drama) andcontemporary (photography and cinema). Part III investigates Pater's theory and practices of writing aesthetic discourse. Throughout, the argument is made thatfor Pater, critique is enabled in the act of transgressing both artistic and sensory boundaries.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230281435Subjects--Personal Names:

886179
Pater, Walter,
1839-1894--Aesthetics.Subjects--Topical Terms:

593429
Criticism
--History--Great Britain--19th century.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR5137 / .V53 2010

Dewey Class. No.: 824/.8

Victorian aesthetic conditions = Pater across the arts /
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245 0 0 $a Victorian aesthetic conditions $h [electronic resource] : $b Pater across the arts / $c edited by Elicia Clements and Lesley J. Higgins.
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300 $a xii, 260 p. : $b ill.
504 $a Includes bibliographical references and index.
505 0 $a Introduction: The Aesthetic Life: Conditions of Interdisciplinarity /E.Clements & L.Higgins -- Art and the Museum / J.Siegel -- Pater and Contemporary Visual Art / B.Bullen -- The Necessity of Corot and Whistler in Paters Network of Painters/ L.Higgins -- Critical Connections andQuotational Strategies: Allegory and Aestheticism in Pater and Simeon Solomon / C.Cruise -- Paters Auxerre Tapestry / K.Daley -- Sculpture, Style and Paters Imaginative Sense of Touch/ L.stermark-Johansen -- ThePainting as Physical Object in a Verbal Portrait: Paters A Prince of Court Painters and Wildes The Portrait of Mr. W. H. / N.Kelvin -- WalterPater, Film Theorist/ C.Williams -- Paters Musical Imagination: The Aural Architecture of The School of Giorgione and Marius the Epicurean /E.Clements -- Haunted Stages: Walter Pater and the Theatrical Mode of Life / A.Eastham -- Paters Politics/ M.Potolsky-- The Spirit on its Way to Perfection?: Paterian Self-Culture and Friedrich Schillers Aesthetic Education / K.Hext -- The Art of the Novel: Pater and Fiction / L.Brake.
520 $a For Walter Pater, 'true aesthetic criticism' takes place when one isworking across the arts, acknowledging differences of media and defining their 'limitations', but always seeking possibilities of interconnection. Only in this way can the arts and aesthetic criticism 'lend each other new forces'. This collection of thirteen essays by a team of international scholars vividly demonstrates the interartistic reach and continuing significance of his writings. Part I concentrates specificallyon nineteenth-century painting and Victorian museum theory. Part II explores the dynamic arts, both traditional (sculpture, music, drama) andcontemporary (photography and cinema). Part III investigates Pater's theory and practices of writing aesthetic discourse. Throughout, the argument is made thatfor Pater, critique is enabled in the act of transgressing both artistic and sensory boundaries.
520 $a "The multidisciplinary aesthetics of Walter Pater, the nineteenth century's most provocative critic, are explored by an international team of scholars. True aesthetic criticism takes place working across the arts, Pater insists: acknowledging the differences between media, but seeking possibilities of interconnection"-- $c Provided by publisher.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Sep. 27, 2010). $n Access may be restricted to users at subscribing institutions.
600 1 0 $a Pater, Walter, $d 1839-1894 $x Aesthetics. $3 886179
650 0 $a Criticism $z Great Britain $x History $y 19th century. $3 593429
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700 1 $a Clements, Elicia, $d 1970- $3 1247100
700 1 $a Higgins, Lesley, $d 1955- $3 1247101
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776 0 8 $i Print version: $t Victorian aesthetic conditions. $d Houndmills, Basingstoke ; New York : Palgrave Macmillan, 2010 $z 9780230234970 $w (DLC) 2010004780 $w (OCoLC)430839436
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230281431 $z access to fulltext (Palgrave)