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Performance and cosmopolitics = cros...

Gilbert, Helen, (1956-)

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Performance and cosmopolitics = cross-cultural transactions in Australasia /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Performance and cosmopolitics/ Helen Gilbert & Jacqueline Lo.
Reminder of title:	cross-cultural transactions in Australasia /
Author:	Gilbert, Helen,
other author:	Lo, Jacqueline.
Published:	Basingstoke [England] ;Palgrave Macmillan, : 2007.,
Description:	x, 245 p. :ill. ;23 cm.
[NT 15003449]:	Introduction: Performing Cosmopolitics -- (Anti)Cosmopolitan Encounters -- Indigenizing Australian Theatre -- Asianizing Australian Theatre-- Marketing Difference at the Adelaide Festival -- Crossing Cultures:Case Studies -- Asian Australian Hybrid Praxis -- Performance and Asylum: Ethics, Embodiment, Efficacy -- Conclusion: Cosmopolitics in the New Millennium.
Subject:	Performing arts - Social aspects - Asia. -
Subject:	Australièe. -
Online resource:	http://link.springer.com/10.1057/9780230273924access to fulltext (Palgrave)
ISBN:	0230273920

Performance and cosmopolitics = cross-cultural transactions in Australasia /
Gilbert, Helen,1956-

Performance and cosmopoliticscross-cultural transactions in Australasia /[electronic resource] :Helen Gilbert & Jacqueline Lo. - Basingstoke [England] ;Palgrave Macmillan,2007. - x, 245 p. :ill. ;23 cm. - Studies in international performance. - Studies in international performance..

Includes bibliographical references (p. 213-235) and index.

Introduction: Performing Cosmopolitics -- (Anti)Cosmopolitan Encounters -- Indigenizing Australian Theatre -- Asianizing Australian Theatre-- Marketing Difference at the Adelaide Festival -- Crossing Cultures:Case Studies -- Asian Australian Hybrid Praxis -- Performance and Asylum: Ethics, Embodiment, Efficacy -- Conclusion: Cosmopolitics in the New Millennium.

Performance and Cosmopolitics, now available in paperback, is a pioneering study of cross-cultural theatre in the Australasian region, positioned within the broader context of a global performing arts market and continued international interest in the traditions and aesthetics of non-Western cultures. Gilbert and Lo deploy the concept of cosmopolitanism as a unique window into mainstream, avant-garde and community arts practices ranging from the 1850s to the present day. Arguing that indigenization and Asianization have constituted key strategies for forging Australian theatre's currentcosmopolitan credentials, the book maps the history and impact of these processes and features detailed case studies to draw out their aesthetic, commercial, political and ethical dimensons. While this study is grounded in a specific regional history and politics, it also serves as a paradigmatic study of cross-cultural artstransactions. By focusing on theatre's particular traditions of corporeality and presence, Performance and Cosmopolitics challenges some of the foundational principles of cosmopolitanism and asserts that its claim to a 'disinterested' global citizenship falters when confronted with the realpolitik of bodily praxis.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230273920

Standard No.: 10.1057/9780230273924doiSubjects--Topical Terms:

1100293
Performing arts
--Social aspects--Asia.Subjects--Geographical Terms:

3647018
Australièe.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN3011.5 / .G55 2007

Dewey Class. No.: 790.20994

Performance and cosmopolitics = cross-cultural transactions in Australasia /
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300 $a x, 245 p. : $b ill. ; $c 23 cm.
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504 $a Includes bibliographical references (p. 213-235) and index.
505 0 $a Introduction: Performing Cosmopolitics -- (Anti)Cosmopolitan Encounters -- Indigenizing Australian Theatre -- Asianizing Australian Theatre-- Marketing Difference at the Adelaide Festival -- Crossing Cultures:Case Studies -- Asian Australian Hybrid Praxis -- Performance and Asylum: Ethics, Embodiment, Efficacy -- Conclusion: Cosmopolitics in the New Millennium.
520 $a Performance and Cosmopolitics, now available in paperback, is a pioneering study of cross-cultural theatre in the Australasian region, positioned within the broader context of a global performing arts market and continued international interest in the traditions and aesthetics of non-Western cultures. Gilbert and Lo deploy the concept of cosmopolitanism as a unique window into mainstream, avant-garde and community arts practices ranging from the 1850s to the present day. Arguing that indigenization and Asianization have constituted key strategies for forging Australian theatre's currentcosmopolitan credentials, the book maps the history and impact of these processes and features detailed case studies to draw out their aesthetic, commercial, political and ethical dimensons. While this study is grounded in a specific regional history and politics, it also serves as a paradigmatic study of cross-cultural artstransactions. By focusing on theatre's particular traditions of corporeality and presence, Performance and Cosmopolitics challenges some of the foundational principles of cosmopolitanism and asserts that its claim to a 'disinterested' global citizenship falters when confronted with the realpolitik of bodily praxis.
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