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Rogue performances = staging the und...
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Reed, Peter P.
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Rogue performances = staging the underclasses in early American theatre culture /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Rogue performances/ Peter P. Reed.
其他題名:
staging the underclasses in early American theatre culture /
作者:
Reed, Peter P.
出版者:
New York, NY :Palgrave Macmillan, : 2009.,
面頁冊數:
xii, 249 p. :ill. ;25 cm.
內容註:
Atlantic underclasses and early American theatre culture -- Gallows performance, excarceration, and The beggar's opera -- Algerians, renegades, and transnational rogues in Slaves in Algiers -- Treason and popular patriotism in The glory of Columbia -- Pantomime and blackface banditry in Three-finger'd Jack -- Class, patronage, and urban scenes in Tomand Jerry -- Slave revolt and classical blackness in The gladiator -- Epilogue: escape artists and spectatorial mobs.
標題:
American drama - History and criticism. - 18th century -
電子資源:
http://link.springer.com/10.1057/9780230622715access to fulltext (Palgrave)
ISBN:
0230622712
Rogue performances = staging the underclasses in early American theatre culture /
Reed, Peter P.
Rogue performances
staging the underclasses in early American theatre culture /[electronic resource] :Peter P. Reed. - 1st ed. - New York, NY :Palgrave Macmillan,2009. - xii, 249 p. :ill. ;25 cm. - Palgrave studies in theatre and performance history. - Palgrave studies in theatre and performance history..
Includes bibliographical references and index.
Atlantic underclasses and early American theatre culture -- Gallows performance, excarceration, and The beggar's opera -- Algerians, renegades, and transnational rogues in Slaves in Algiers -- Treason and popular patriotism in The glory of Columbia -- Pantomime and blackface banditry in Three-finger'd Jack -- Class, patronage, and urban scenes in Tomand Jerry -- Slave revolt and classical blackness in The gladiator -- Epilogue: escape artists and spectatorial mobs.
Rogue Performances recovers eighteenth and nineteenth-century American culture's fascination with outcast and rebellious characters. Highwaymen, thieves, beggars, rioting mobs, rebellious slaves, and mutineers dominated the stage in the period's most popular plays. Peter Reed alsoexplores ways these characters helped to popularize theatrical forms such as ballad opera, patriotic spectacle, blackface minstrelsy, and melodrama. Reed shows how both on and offstage, these paradoxically powerful, persistent, and troubling figures reveal the contradictions of class and the force of the disempowered in the American theatrical imagination. Through analysis of both well known and lesser known plays and extensive archival research, this book challenges scholars to re-think their assumptions about the role of class in antebellum American drama.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 0230622712
Standard No.: 10.1057/9780230622715doiSubjects--Topical Terms:
1100282
American drama
--History and criticism.--18th centuryIndex Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PS341 / .R44 2009
Dewey Class. No.: 812.009
Rogue performances = staging the underclasses in early American theatre culture /
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Atlantic underclasses and early American theatre culture -- Gallows performance, excarceration, and The beggar's opera -- Algerians, renegades, and transnational rogues in Slaves in Algiers -- Treason and popular patriotism in The glory of Columbia -- Pantomime and blackface banditry in Three-finger'd Jack -- Class, patronage, and urban scenes in Tomand Jerry -- Slave revolt and classical blackness in The gladiator -- Epilogue: escape artists and spectatorial mobs.
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