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Worlding dance

Foster, Susan Leigh.

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Worlding dance

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Worlding dance/ edited by Susan Leigh Foster.
其他作者:	Foster, Susan Leigh.
出版者:	Houndmills, Basingstoke, Hampshire [England] ;PalgraveMacmillan, : 2009.,
面頁冊數:	viii, 209 p. ;23 cm.
內容註:	The power of classification / Lena Hammergren -- Mobilizing (in) thearchive : Santee Smith's Kaha:wi / Jacqueline Shea Murphy -- A "material"-ist reading of the Bharata Natyam dancing body : the possibility ofthe "unruly spectator"/ Priya Srinivasan -- Race-ing choreographic copyright / Anthea Kraut -- Choreographies and choreographers / Susan Leigh Foster -- Red-stained feet : probing the ground on which women dance in contemporary Bengal/ Ananya Chatterjea -- Artistic utopias : Michio Ito and the trope of the international / Yutian Wong -- Worlding dance and dancing out there in the world / Marta Elena Savigliano.
標題:	Dance - Social aspects. -
電子資源:	http://link.springer.com/10.1057/9780230236844access to fulltext (Palgrave)
ISBN:	0230236847

Worlding dance
Worlding dance[electronic resource] /edited by Susan Leigh Foster. - Houndmills, Basingstoke, Hampshire [England] ;PalgraveMacmillan,2009. - viii, 209 p. ;23 cm. - Studies in international performance.. - Studies in international performance..

Includes bibliographical references (p. 191-204) and index.

The power of classification / Lena Hammergren -- Mobilizing (in) thearchive : Santee Smith's Kaha:wi / Jacqueline Shea Murphy -- A "material"-ist reading of the Bharata Natyam dancing body : the possibility ofthe "unruly spectator"/ Priya Srinivasan -- Race-ing choreographic copyright / Anthea Kraut -- Choreographies and choreographers / Susan Leigh Foster -- Red-stained feet : probing the ground on which women dance in contemporary Bengal/ Ananya Chatterjea -- Artistic utopias : Michio Ito and the trope of the international / Yutian Wong -- Worlding dance and dancing out there in the world / Marta Elena Savigliano.

What world has been constructed for dancing through the use of the term 'world dance'? What kinds of worlds do we as scholars create for a given dance when we undertake to describe and analyze it? This volume of essays, the product of the authors' collective reckoning with these questions, endeavours to make new epistemological space for the analysisof the world's dances. The essays challenge the very foundations upon which the terms 'ethnic' or 'world' dance were created. They examine the exclusionary processes of collection and classification through whichthe world-building of variousdance practices takes place, and as a result, how they acquire relative value and meaning. The essays implementa global perspective in order to examine the local, and they work reflexively to interrogate the embodied status of the researcher, 'choreographing' new approaches to the writing of history that respond to the exigencies of our global political moment.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 0230236847

Standard No.: 10.1057/9780230236844doiSubjects--Topical Terms:

528843
Dance
--Social aspects.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: GV1588.6 / .W67 2009

Dewey Class. No.: 792.8

Worlding dance
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520 $a What world has been constructed for dancing through the use of the term 'world dance'? What kinds of worlds do we as scholars create for a given dance when we undertake to describe and analyze it? This volume of essays, the product of the authors' collective reckoning with these questions, endeavours to make new epistemological space for the analysisof the world's dances. The essays challenge the very foundations upon which the terms 'ethnic' or 'world' dance were created. They examine the exclusionary processes of collection and classification through whichthe world-building of variousdance practices takes place, and as a result, how they acquire relative value and meaning. The essays implementa global perspective in order to examine the local, and they work reflexively to interrogate the embodied status of the researcher, 'choreographing' new approaches to the writing of history that respond to the exigencies of our global political moment.
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