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Modernism and poetic inspiration = t...

Rasula, Jed.

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Modernism and poetic inspiration = the shadow mouth /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Modernism and poetic inspiration/ Jed Rasula.
其他題名:	the shadow mouth /
作者:	Rasula, Jed.
出版者:	New York, NY :Palgrave Macmillan, : 2009.,
面頁冊數:	xvi, 251 p. :ill. ;22 cm.
內容註:	Introduction: The Shadow Mouth -- The Murmur: Modernist Alchemies ofthe Word -- Drawing a Blank: Episodes in the Poetics of Unworking -- Poetry's Voice-Over: Techniques of Inspiration -- Gendering the Muse Medusa's Gaze: Deep Image, or Traveling in the Dark -- "When the mind is like a hall": Places of a Possible Poetics.
標題:	Creation (Literary, artistic, etc.) -
電子資源:	http://link.springer.com/10.1057/9780230622197access to fulltext (Palgrave)
ISBN:	0230622194

Modernism and poetic inspiration = the shadow mouth /
Rasula, Jed.

Modernism and poetic inspirationthe shadow mouth /[electronic resource] :Jed Rasula. - 1st ed. - New York, NY :Palgrave Macmillan,2009. - xvi, 251 p. :ill. ;22 cm. - Modern and contemporary poetry and poetics. - Modern and contemporary poetry and poetics..

Includes bibliographical references (p. [219]-239) and index.

Introduction: The Shadow Mouth -- The Murmur: Modernist Alchemies ofthe Word -- Drawing a Blank: Episodes in the Poetics of Unworking -- Poetry's Voice-Over: Techniques of Inspiration -- Gendering the Muse Medusa's Gaze: Deep Image, or Traveling in the Dark -- "When the mind is like a hall": Places of a Possible Poetics.

A major provocation to modern poetics is the inspirational bounty ofdestruction (effacement, negation, undoing) bequeathed by Mallarmâe. Modernist poets and artists explored this initiative through strategic explorations in the materiality of the medium, as well as dislocations of sensibility. Informing these maneuvers is the most ancient legacy of the muses, the supposition of a guiding voice, a shadow mouth. This legacy nourishes a fantasy of inspiration as privileged access to the murmur of pre-signifying meaning, a speech without words, a picture withoutimages, or images that are sodeep as to defy scrutiny. The sites of inspiration documented in Modernism and Poetic Inspiration range from nineteenth century linguistic theory to postmodern strategies of conceptual writing, encompassing well known instances of modernist poetics (Mallarmâe, Pound, Olson) alongside obscure but revealing figures like OttoNebel and Henri-Martin Barzun.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230622194

Standard No.: 10.1057/9780230622197doiSubjects--Topical Terms:

529080
Creation (Literary, artistic, etc.)
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1042 / .R26 2009

Dewey Class. No.: 808.1

Modernism and poetic inspiration = the shadow mouth /
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504 $a Includes bibliographical references (p. [219]-239) and index.
505 0 $a Introduction: The Shadow Mouth -- The Murmur: Modernist Alchemies ofthe Word -- Drawing a Blank: Episodes in the Poetics of Unworking -- Poetry's Voice-Over: Techniques of Inspiration -- Gendering the Muse Medusa's Gaze: Deep Image, or Traveling in the Dark -- "When the mind is like a hall": Places of a Possible Poetics.
520 $a A major provocation to modern poetics is the inspirational bounty ofdestruction (effacement, negation, undoing) bequeathed by Mallarmâe. Modernist poets and artists explored this initiative through strategic explorations in the materiality of the medium, as well as dislocations of sensibility. Informing these maneuvers is the most ancient legacy of the muses, the supposition of a guiding voice, a shadow mouth. This legacy nourishes a fantasy of inspiration as privileged access to the murmur of pre-signifying meaning, a speech without words, a picture withoutimages, or images that are sodeep as to defy scrutiny. The sites of inspiration documented in Modernism and Poetic Inspiration range from nineteenth century linguistic theory to postmodern strategies of conceptual writing, encompassing well known instances of modernist poetics (Mallarmâe, Pound, Olson) alongside obscure but revealing figures like OttoNebel and Henri-Martin Barzun.
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