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Gender and allegory in transamerican...

Sugg, Katherine.

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Gender and allegory in transamerican fiction and performance

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Gender and allegory in transamerican fiction and performance/ Katherine Sugg.
作者:	Sugg, Katherine.
出版者:	New York, NY :Palgrave Macmillan, : 2008.,
面頁冊數:	xviii, 241 p. ;22 cm.
內容註:	Cultural Politics in Trans-America: Identity, Narrativity, and Allegory -- "The Ultimate Rebellion": The Political Fictions of Chicana Sexuality and Community -- Apocalyptic Modernities: Transamerican Allegory,Revolution, and Indigeneity in Almanac of the Dead -- Allegory and Transcultural Narrative Ethics: Difference and Storytelling in Rosario Castellanos's Oficio de Tinieblas -- Encrypted Diasporas: Writing, Affect,and the Nation in Zoe Valdes's Cafe Nostalgia -- Performing Suspended Migrations: Novels and Spoken Word by U.S. Latinas -- Gender and Narrative Pedagogies in the Americas.
標題:	American fiction - Hispanic American authors -
電子資源:	http://link.springer.com/10.1057/9780230616219access to fulltext (Palgrave)
ISBN:	0230616216

Gender and allegory in transamerican fiction and performance
Sugg, Katherine.

Gender and allegory in transamerican fiction and performance[electronic resource] /Katherine Sugg. - 1st ed. - New York, NY :Palgrave Macmillan,2008. - xviii, 241 p. ;22 cm.

Includes bibliographical references (p. [217]-227) and index.

Cultural Politics in Trans-America: Identity, Narrativity, and Allegory -- "The Ultimate Rebellion": The Political Fictions of Chicana Sexuality and Community -- Apocalyptic Modernities: Transamerican Allegory,Revolution, and Indigeneity in Almanac of the Dead -- Allegory and Transcultural Narrative Ethics: Difference and Storytelling in Rosario Castellanos's Oficio de Tinieblas -- Encrypted Diasporas: Writing, Affect,and the Nation in Zoe Valdes's Cafe Nostalgia -- Performing Suspended Migrations: Novels and Spoken Word by U.S. Latinas -- Gender and Narrative Pedagogies in the Americas.

By rethinking contemporary debates regarding the politics of aesthetic forms, Gender and Allegory in Transamerican Fiction and Performance explores how allegory can be used to resolve the "problem" of identity in both political theory and literary studies. Examining fiction and performance from Zoe Valdes and Cherrie Moraga to Def Poetry Jam and Carmelita Tropicana, Sugg suggests that the representational oscillations of allegory can reflect and illuminate the fraught dynamics of identitydiscourses and categories in the Americas. Using a wide array of theoretical and aesthetic sources from the United States, Latin America, and the Caribbean, this book argues for the crucial and potentially transformative role of feminist cultural production in transamerican public cultures.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230616216

Standard No.: 10.1057/9780230616219doiSubjects--Topical Terms:

725207
American fiction
--Hispanic American authorsIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PS153.M56 / S85 2008eb

Dewey Class. No.: 809/.897

Gender and allegory in transamerican fiction and performance
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300 $a xviii, 241 p. ; $c 22 cm.
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505 0 $a Cultural Politics in Trans-America: Identity, Narrativity, and Allegory -- "The Ultimate Rebellion": The Political Fictions of Chicana Sexuality and Community -- Apocalyptic Modernities: Transamerican Allegory,Revolution, and Indigeneity in Almanac of the Dead -- Allegory and Transcultural Narrative Ethics: Difference and Storytelling in Rosario Castellanos's Oficio de Tinieblas -- Encrypted Diasporas: Writing, Affect,and the Nation in Zoe Valdes's Cafe Nostalgia -- Performing Suspended Migrations: Novels and Spoken Word by U.S. Latinas -- Gender and Narrative Pedagogies in the Americas.
520 $a By rethinking contemporary debates regarding the politics of aesthetic forms, Gender and Allegory in Transamerican Fiction and Performance explores how allegory can be used to resolve the "problem" of identity in both political theory and literary studies. Examining fiction and performance from Zoe Valdes and Cherrie Moraga to Def Poetry Jam and Carmelita Tropicana, Sugg suggests that the representational oscillations of allegory can reflect and illuminate the fraught dynamics of identitydiscourses and categories in the Americas. Using a wide array of theoretical and aesthetic sources from the United States, Latin America, and the Caribbean, this book argues for the crucial and potentially transformative role of feminist cultural production in transamerican public cultures.
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856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230616219 $z access to fulltext (Palgrave)