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Decentring dancing texts = the chall...

Lansdale, Janet.

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Decentring dancing texts = the challenge of interpreting dances /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Decentring dancing texts/ edited by Janet Lansdale.
其他題名:	the challenge of interpreting dances /
其他作者:	Lansdale, Janet.
出版者:	Basingstoke [England] ;Palgrave Macmillan, : 2008.,
面頁冊數:	xi, 216 p. :ill.
內容註:	List of Illustrations -- Acknowledgments -- Notes on Contributors --Preface -- Intertextual Narratives in Dance Analysis; J.Lansdale -- Betraying History? An Historiographic Analysis of The Judas Tree (1992); A.Carter -- Unbalancing the Authentic/Partnering Classicism: Shobana Jeyasingh's Choreography and the Bharata Natyam b1 sTradition b2 s; J.O'shea -- Akram Khan's Ma (2004): An Essay in Hybridisation and Productive Ambiguity; L.Sanders -- Elusive Narratives: M.Ek & G.Poesio -- On thePremises of French Contemporary Dance: Concepts, Collectivity, and b3 sTrojan Horses b4 s in the Work of éJrome Bel and Lïoc Touéz; T.D b2 sAmelio -- Chasing voices: Ian Spink's Dancing Fugue (1988);J.Lansdale -- Jonathan Burrows and Matteo Fargion's Both Sitting Duet (2002): a Discursive Choreomusical Collaboration; D.Perazzo Domm -- Lea Anderson, Dancing and Drawing the Past into the Present; H.Rottenberg -- Mad Hot Ballroom and the Politics of Transformation; S.Dodds -- Mapping the Multifarious: the Genrification of Dance Music Club Cultures; J.L.Hall -- Harpies and Pyjamas: the Making ofHeart Thief (2003); Deveril -- Index.
標題:	Choreography - Cross-cultural studies. -
電子資源:	http://link.springer.com/10.1057/9780230584426access to fulltext (Palgrave)
ISBN:	023058442X

Decentring dancing texts = the challenge of interpreting dances /
Decentring dancing textsthe challenge of interpreting dances /[electronic resource] :edited by Janet Lansdale. - Basingstoke [England] ;Palgrave Macmillan,2008. - xi, 216 p. :ill.

Includes bibliographical references and index.

List of Illustrations -- Acknowledgments -- Notes on Contributors --Preface -- Intertextual Narratives in Dance Analysis; J.Lansdale -- Betraying History? An Historiographic Analysis of The Judas Tree (1992); A.Carter -- Unbalancing the Authentic/Partnering Classicism: Shobana Jeyasingh's Choreography and the Bharata Natyam b1 sTradition b2 s; J.O'shea -- Akram Khan's Ma (2004): An Essay in Hybridisation and Productive Ambiguity; L.Sanders -- Elusive Narratives: M.Ek & G.Poesio -- On thePremises of French Contemporary Dance: Concepts, Collectivity, and b3 sTrojan Horses b4 s in the Work of éJrome Bel and Lïoc Touéz; T.D b2 sAmelio -- Chasing voices: Ian Spink's Dancing Fugue (1988);J.Lansdale -- Jonathan Burrows and Matteo Fargion's Both Sitting Duet (2002): a Discursive Choreomusical Collaboration; D.Perazzo Domm -- Lea Anderson, Dancing and Drawing the Past into the Present; H.Rottenberg -- Mad Hot Ballroom and the Politics of Transformation; S.Dodds -- Mapping the Multifarious: the Genrification of Dance Music Club Cultures; J.L.Hall -- Harpies and Pyjamas: the Making ofHeart Thief (2003); Deveril -- Index.

Decentring is a term used both in dance and in critical theory. Merce Cunningham famously decentred the dance, with several activities taking place at once. The absence of a directed structure for the spectatorinvited instead a multiplicity of co-existing perspectives. The lack of a centre isalso typical of writings in new theories of post-structuralism. Decentring Dancing Texts analyses recent dance practices in the theatre, in club culture and on film, addressing their interdisciplinaryrelationship with music, painting and plays through new theoretical positions. Covering works by LeaAnderson, éJrome Bel, Jonathan Burrows,Mats Ek, Akram Khan, Shobana Jeyasingh, Ian Spink and LïocTouéz, the book also contains an original essay on New York youngsters dancing in the film Mad Hot Ballroom. The contributors use insights from web-basedtheories of hypertextuality to analyse the making of new television dance and to construct the spectator as co-creator of meaning in the work, with the original maker.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 023058442X

Standard No.: 10.1057/9780230584426doiSubjects--Topical Terms:

1083700
Choreography
--Cross-cultural studies.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: GV1782.5 / .D43 2008eb

Dewey Class. No.: 792.8/2

Decentring dancing texts = the challenge of interpreting dances /
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504 $a Includes bibliographical references and index.
505 0 $a List of Illustrations -- Acknowledgments -- Notes on Contributors --Preface -- Intertextual Narratives in Dance Analysis; J.Lansdale -- Betraying History? An Historiographic Analysis of The Judas Tree (1992); A.Carter -- Unbalancing the Authentic/Partnering Classicism: Shobana Jeyasingh's Choreography and the Bharata Natyam b1 sTradition b2 s; J.O'shea -- Akram Khan's Ma (2004): An Essay in Hybridisation and Productive Ambiguity; L.Sanders -- Elusive Narratives: M.Ek & G.Poesio -- On thePremises of French Contemporary Dance: Concepts, Collectivity, and b3 sTrojan Horses b4 s in the Work of éJrome Bel and Lïoc Touéz; T.D b2 sAmelio -- Chasing voices: Ian Spink's Dancing Fugue (1988);J.Lansdale -- Jonathan Burrows and Matteo Fargion's Both Sitting Duet (2002): a Discursive Choreomusical Collaboration; D.Perazzo Domm -- Lea Anderson, Dancing and Drawing the Past into the Present; H.Rottenberg -- Mad Hot Ballroom and the Politics of Transformation; S.Dodds -- Mapping the Multifarious: the Genrification of Dance Music Club Cultures; J.L.Hall -- Harpies and Pyjamas: the Making ofHeart Thief (2003); Deveril -- Index.
520 $a Decentring is a term used both in dance and in critical theory. Merce Cunningham famously decentred the dance, with several activities taking place at once. The absence of a directed structure for the spectatorinvited instead a multiplicity of co-existing perspectives. The lack of a centre isalso typical of writings in new theories of post-structuralism. Decentring Dancing Texts analyses recent dance practices in the theatre, in club culture and on film, addressing their interdisciplinaryrelationship with music, painting and plays through new theoretical positions. Covering works by LeaAnderson, éJrome Bel, Jonathan Burrows,Mats Ek, Akram Khan, Shobana Jeyasingh, Ian Spink and LïocTouéz, the book also contains an original essay on New York youngsters dancing in the film Mad Hot Ballroom. The contributors use insights from web-basedtheories of hypertextuality to analyse the making of new television dance and to construct the spectator as co-creator of meaning in the work, with the original maker.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Choreography $v Cross-cultural studies. $3 1083700
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