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Race and White identity in southern ...

Duvall, John N. (1956-)

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Race and White identity in southern fiction = from Faulkner to Morrison /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Race and White identity in southern fiction/ John N. Duvall.
Reminder of title:	from Faulkner to Morrison /
Author:	Duvall, John N.
Published:	New York :Palgrave Macmillan, : 2008.,
Description:	xix, 194 p. :ill.
[NT 15003449]:	White face, Black culture -- Artificial negroes, White homelessness,and diaspora consciousness -- William Faulkner, whiteface, and Black identity -- Flannery O'Connor, (G)race, and colored identity -- John Barth, blackface, and invisible identity -- Dorothy Allison, "nigger trash," and miscegenated identity -- Black writing and whiteface.
Subject:	American fiction - History and criticism. - 20th century -
Subject:	Southern States - Intellectual life - 20th century. -
Online resource:	http://link.springer.com/10.1057/9780230611825access to fulltext (Palgrave)
ISBN:	0230611826

Race and White identity in southern fiction = from Faulkner to Morrison /
Duvall, John N.1956-

Race and White identity in southern fictionfrom Faulkner to Morrison /[electronic resource] :John N. Duvall. - 1st ed. - New York :Palgrave Macmillan,2008. - xix, 194 p. :ill.

Includes bibliographical references (p. [181]-187) and index.

White face, Black culture -- Artificial negroes, White homelessness,and diaspora consciousness -- William Faulkner, whiteface, and Black identity -- Flannery O'Connor, (G)race, and colored identity -- John Barth, blackface, and invisible identity -- Dorothy Allison, "nigger trash," and miscegenated identity -- Black writing and whiteface.

Race and White Identity in Southern Fiction explores a form of racial passing that has gone largely unnoticed. Duvall makes visible the means by which southern novelists repeatedly imagined their white characters as fundamentally black in some sense. Beginning with William Faulkner, Duvall traces a form of figurative and rhetorical masking in twentieth-century southern fiction that derives from whiteface minstrelsy. In the fiction of such subsequent writers as Flannery O'Connor, John Barth, Dorothy Allison, and Ishmael Reed, the reader sees characters who present a white face to the world, even as they unconsciously perform cultural blackness. These queer performances of race repeatedly reveal thatbeing merely Caucasian is insufficient to claim Southern Whiteness.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230611826

Standard No.: 10.1057/9780230611825doiSubjects--Topical Terms:

541495
American fiction
--History and criticism.--20th centurySubjects--Geographical Terms:

716052
Southern States
--Intellectual life--20th century.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PS261 / .D88 2008eb

Dewey Class. No.: 813/.509355

Race and White identity in southern fiction = from Faulkner to Morrison /
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020 $a 9780230611825
024 7 $a 10.1057/9780230611825 $2 doi
035 $a Palgrave
035 $a 903346
040 $a UKPGM $b eng $c UKPGM $d IDEBK
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100 1 $a Duvall, John N. $q (John Noel), $d 1956- $3 3646820
245 1 0 $a Race and White identity in southern fiction $h [electronic resource] : $b from Faulkner to Morrison / $c John N. Duvall.
250 $a 1st ed.
260 $a New York : $c 2008. $b Palgrave Macmillan,
300 $a xix, 194 p. : $b ill.
504 $a Includes bibliographical references (p. [181]-187) and index.
505 0 $a White face, Black culture -- Artificial negroes, White homelessness,and diaspora consciousness -- William Faulkner, whiteface, and Black identity -- Flannery O'Connor, (G)race, and colored identity -- John Barth, blackface, and invisible identity -- Dorothy Allison, "nigger trash," and miscegenated identity -- Black writing and whiteface.
520 $a Race and White Identity in Southern Fiction explores a form of racial passing that has gone largely unnoticed. Duvall makes visible the means by which southern novelists repeatedly imagined their white characters as fundamentally black in some sense. Beginning with William Faulkner, Duvall traces a form of figurative and rhetorical masking in twentieth-century southern fiction that derives from whiteface minstrelsy. In the fiction of such subsequent writers as Flannery O'Connor, John Barth, Dorothy Allison, and Ishmael Reed, the reader sees characters who present a white face to the world, even as they unconsciously perform cultural blackness. These queer performances of race repeatedly reveal thatbeing merely Caucasian is insufficient to claim Southern Whiteness.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a American fiction $y 20th century $x History and criticism. $3 541495
650 0 $a American fiction $z Southern States $x History and criticism. $3 680588
650 0 $a Ethnicity in literature. $3 528280
650 0 $a Literature and society $z Southern States. $3 1082731
650 0 $a Race relations in literature. $3 580408
650 0 $a Stereotypes (Social psychology) in literature. $3 886423
650 0 $a Whites in literature. $3 592931
651 0 $a Southern States $x Intellectual life $y 20th century. $3 716052
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230611825 $z access to fulltext (Palgrave)