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The new film history = sources, meth...

Chapman, James, (1968-)

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The new film history = sources, methods, approaches /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The new film history/ edited by James Chapman, Mark Glancy and Sue Harper.
其他題名:	sources, methods, approaches /
其他作者:	Chapman, James,
出版者:	Basingstoke ;Palgrave Macmillan, : 2007.,
面頁冊數:	xi, 256 p.
內容註:	Gone with the wind (1939) and the lost cause : a critical view / Melvyn Stokes -- History andrepresentation : the case of 1970s British cinema / Sue Harper -- Gallipoli (1981) : 'a poignant search for nationalidentity'/ Mark Connelly -- 'This ship is England' : history, politics and nationalidentity in Master and commander : the far side of the world (2003) / James Chapman -- Art in context : British film design of the 1940s/ Laurie Ede -- The author as author : restoring the screenwriter to British film history / Andrew Spicer -- When 'Hanoi Jane' conquered Hollywood : Jane Fonda'sfilms and activism, 1977-81 / Peter Krèamer -- The politics of the swashbuckler/ Jeffrey Richards --The Stalinist musical / Richard Taylor -- Now, Voyager (1942) : melodrama then and now / Martin Shingler -- From gangsta to gangster : the hood film's criminal allegiance with Hollywood/ Jonathan Munby -- Blackmail (1929),Hitchcock and film nationalism / Mark Glancy -- British cinema, American reception : Black Narcissus (1947) and the Legion of Decency/ SarahStreet -- Studying cross-culturalmarketing and reception : Ingmar Bergman's Persona (1966) / Ingrid Stigsdotter and Tim Bergfelder -- The Wicker man (1973) email digest : a case study in web ethnography / JustinSmith.
標題:	Motion pictures. -
電子資源:	http://link.springer.com/10.1057/9780230206229access to fulltext (Palgrave)
ISBN:	0230206220

The new film history = sources, methods, approaches /
The new film historysources, methods, approaches /[electronic resource] :edited by James Chapman, Mark Glancy and Sue Harper. - Basingstoke ;Palgrave Macmillan,2007. - xi, 256 p.

Includes bibliographical references and index.

Gone with the wind (1939) and the lost cause : a critical view / Melvyn Stokes -- History andrepresentation : the case of 1970s British cinema / Sue Harper -- Gallipoli (1981) : 'a poignant search for nationalidentity'/ Mark Connelly -- 'This ship is England' : history, politics and nationalidentity in Master and commander : the far side of the world (2003) / James Chapman -- Art in context : British film design of the 1940s/ Laurie Ede -- The author as author : restoring the screenwriter to British film history / Andrew Spicer -- When 'Hanoi Jane' conquered Hollywood : Jane Fonda'sfilms and activism, 1977-81 / Peter Krèamer -- The politics of the swashbuckler/ Jeffrey Richards --The Stalinist musical / Richard Taylor -- Now, Voyager (1942) : melodrama then and now / Martin Shingler -- From gangsta to gangster : the hood film's criminal allegiance with Hollywood/ Jonathan Munby -- Blackmail (1929),Hitchcock and film nationalism / Mark Glancy -- British cinema, American reception : Black Narcissus (1947) and the Legion of Decency/ SarahStreet -- Studying cross-culturalmarketing and reception : Ingmar Bergman's Persona (1966) / Ingrid Stigsdotter and Tim Bergfelder -- The Wicker man (1973) email digest : a case study in web ethnography / JustinSmith.

The New Film History is an accessible and wide-ranging account of the methods, sources and approaches used by modern film historians. Written in an engaging and lively style, the book seeks to overcome the traditional divide between Film Studies and Film History and to offer an overview of the key areas of research, including reception studies, genre, authorship and the historical film. It also offers detailed case studies on topics such as national identity and the historical film, the place of the screenwriter in authorship studies, the relationship betweengangster and 'gansta', and the use of the Internet in reception studies. With contributions from fifteen leading film historians, this is thefirst major overview of the field of film history to be published in twenty years.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230206220

Standard No.: 10.1057/9780230206229doiSubjects--Topical Terms:

527819
Motion pictures.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1994 / .N483 2007eb

Dewey Class. No.: 791.4309

The new film history = sources, methods, approaches /
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505 0 $a Gone with the wind (1939) and the lost cause : a critical view / Melvyn Stokes -- History andrepresentation : the case of 1970s British cinema / Sue Harper -- Gallipoli (1981) : 'a poignant search for nationalidentity'/ Mark Connelly -- 'This ship is England' : history, politics and nationalidentity in Master and commander : the far side of the world (2003) / James Chapman -- Art in context : British film design of the 1940s/ Laurie Ede -- The author as author : restoring the screenwriter to British film history / Andrew Spicer -- When 'Hanoi Jane' conquered Hollywood : Jane Fonda'sfilms and activism, 1977-81 / Peter Krèamer -- The politics of the swashbuckler/ Jeffrey Richards --The Stalinist musical / Richard Taylor -- Now, Voyager (1942) : melodrama then and now / Martin Shingler -- From gangsta to gangster : the hood film's criminal allegiance with Hollywood/ Jonathan Munby -- Blackmail (1929),Hitchcock and film nationalism / Mark Glancy -- British cinema, American reception : Black Narcissus (1947) and the Legion of Decency/ SarahStreet -- Studying cross-culturalmarketing and reception : Ingmar Bergman's Persona (1966) / Ingrid Stigsdotter and Tim Bergfelder -- The Wicker man (1973) email digest : a case study in web ethnography / JustinSmith.
520 $a The New Film History is an accessible and wide-ranging account of the methods, sources and approaches used by modern film historians. Written in an engaging and lively style, the book seeks to overcome the traditional divide between Film Studies and Film History and to offer an overview of the key areas of research, including reception studies, genre, authorship and the historical film. It also offers detailed case studies on topics such as national identity and the historical film, the place of the screenwriter in authorship studies, the relationship betweengangster and 'gansta', and the use of the Internet in reception studies. With contributions from fifteen leading film historians, this is thefirst major overview of the field of film history to be published in twenty years.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
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700 1 $a Glancy, H. Mark. $3 824767
700 1 $a Harper, Sue. $3 1082252
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856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230206229 $z access to fulltext (Palgrave)