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Staging black feminisms = identity, ...
~
Goddard, Lynette, (1966-)
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Staging black feminisms = identity, politics, performance /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Staging black feminisms/ Lynette Goddard.
其他題名:
identity, politics, performance /
作者:
Goddard, Lynette,
出版者:
Basingstoke ;Palgrave Macmillan, : 2007.,
面頁冊數:
ix, 229 p.
叢書名:
Performance interventions
內容註:
PART I: HISTORY AND AESTHETICS -- Black British Women and Theatre: An Overview -- Black Feminist Performance Aesthetics -- PART II: PLAYS -- Winsome Pinnock's Migration Narratives -- JacquelineRudet (Re)Writing Sexual Deviancy -- Jackie Kay and Valerie Mason-John's Zamis, Lesbians and Queers-- PART III: PERFORMANCES -- Black Mime Theatre Women's Troops -- Solo Voices: Performance Art, Danceand Poetry -- PART IV: CONCLUSIONS -- Black Feminist Futures?
標題:
Black theater - History - 20th century. - Great Britain -
電子資源:
http://link.springer.com/10.1057/9780230801448access to fulltext (Palgrave)
ISBN:
0230801447
Staging black feminisms = identity, politics, performance /
Goddard, Lynette,1966-
Staging black feminisms
identity, politics, performance /[electronic resource] :Lynette Goddard. - Basingstoke ;Palgrave Macmillan,2007. - ix, 229 p. - Performance interventions.
Includes bibliographical references (p. 198-220) and index.
PART I: HISTORY AND AESTHETICS -- Black British Women and Theatre: An Overview -- Black Feminist Performance Aesthetics -- PART II: PLAYS -- Winsome Pinnock's Migration Narratives -- JacquelineRudet (Re)Writing Sexual Deviancy -- Jackie Kay and Valerie Mason-John's Zamis, Lesbians and Queers-- PART III: PERFORMANCES -- Black Mime Theatre Women's Troops -- Solo Voices: Performance Art, Danceand Poetry -- PART IV: CONCLUSIONS -- Black Feminist Futures?
Staging Black Feminisms sets out to challenge perceptions of black women's theatre work as inherently feminist. Drawing on black feminist theories of identity and theories of black and feministperformance form, it analyzes key themes such as migration, motherhood, sexuality, mixed race identity and interracial relationships, in a range of late twentieth- and early twenty-first-century blackBritish women's plays and performances. Case studies explore plays by Winsome Pinnock, Jackie Kay,Valerie Mason John, Jacqueline Rudet and debbie tucker green, alongsidedevised performance, dance, poetry and live art by Black Mime Theatre Women's Troop, Patience Agbabi, SuAndi, Dorothea Smartt and Susan Lewis.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 0230801447
Standard No.: 10.1057/9780230801448doiSubjects--Topical Terms:
619284
Black theater
--History--Great Britain--20th century.Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PN2595.13.B34 / G63 2007eb
Dewey Class. No.: 792.089/96041
Staging black feminisms = identity, politics, performance /
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PART I: HISTORY AND AESTHETICS -- Black British Women and Theatre: An Overview -- Black Feminist Performance Aesthetics -- PART II: PLAYS -- Winsome Pinnock's Migration Narratives -- JacquelineRudet (Re)Writing Sexual Deviancy -- Jackie Kay and Valerie Mason-John's Zamis, Lesbians and Queers-- PART III: PERFORMANCES -- Black Mime Theatre Women's Troops -- Solo Voices: Performance Art, Danceand Poetry -- PART IV: CONCLUSIONS -- Black Feminist Futures?
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