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Filming Shakespeare in the global ma...

Burnett, Mark Thornton.

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Filming Shakespeare in the global marketplace

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Filming Shakespeare in the global marketplace/ Mark Thornton Burnett.
作者:	Burnett, Mark Thornton.
出版者:	Basingstoke [England] ;Palgrave Macmillan, : 2007.,
面頁冊數:	xi, 227 p. :ill.
叢書名:	Palgrave Shakespeare studies
內容註:	Screening the Stage -- Sequelizing Shakespeare -- The Local and the Global -- Racial Identities, Global Economies -- Remembrance, Holocaust, Globalization -- Spirituality/Meaning/Shakespeare --Post-Millennial Parody.
標題:	Culture and globalization. -
電子資源:	http://link.springer.com/10.1057/9780230800809access to fulltext (Palgrave)
ISBN:	0230800807

Filming Shakespeare in the global marketplace
Burnett, Mark Thornton.

Filming Shakespeare in the global marketplace[electronic resource]/Mark Thornton Burnett. - Basingstoke [England] ;Palgrave Macmillan,2007. - xi, 227 p. :ill. - Palgrave Shakespeare studies.

Includes bibliographical references (p. 193-212) and index.

Screening the Stage -- Sequelizing Shakespeare -- The Local and the Global -- Racial Identities, Global Economies -- Remembrance, Holocaust, Globalization -- Spirituality/Meaning/Shakespeare --Post-Millennial Parody.

This polemical study contends that Shakespeare films produced on both sides of the millenniumrespond to globalization by reflecting upon the changing circumstances of their own cultural locations. Examining art-house works as well as media representations, grass-roots creations and Hollywoodstatements, Burnett argues for the crucial place of Shakespeare in contemporary debates about hybridity and identity, religion and ethnicity, and spirituality and difference. Performing more than onetask simultaneously, the productions investigated here initiate and sequelize, and authenticate anddemythologize, emptying out the regional as they restore the local within a grammar of the global. Inside this process, film reveals itself as acutely responsive to both its own marketplace niche andto Shakespeare's status as an icon moulded according tothe dictates of late capitalist modes of consumption.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230800807

Standard No.: 10.1057/9780230800809doiSubjects--Personal Names:

1037499
Shakespeare, William,
1564-1616--Film adaptations.Subjects--Topical Terms:

621393
Culture and globalization.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR3093 / .B87 2007eb

Dewey Class. No.: 791.43/6

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520 $a This polemical study contends that Shakespeare films produced on both sides of the millenniumrespond to globalization by reflecting upon the changing circumstances of their own cultural locations. Examining art-house works as well as media representations, grass-roots creations and Hollywoodstatements, Burnett argues for the crucial place of Shakespeare in contemporary debates about hybridity and identity, religion and ethnicity, and spirituality and difference. Performing more than onetask simultaneously, the productions investigated here initiate and sequelize, and authenticate anddemythologize, emptying out the regional as they restore the local within a grammar of the global. Inside this process, film reveals itself as acutely responsive to both its own marketplace niche andto Shakespeare's status as an icon moulded according tothe dictates of late capitalist modes of consumption.
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