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Race, class, and gender in "medieval...

Pugh, Tison.

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Race, class, and gender in "medieval" cinema

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Race, class, and gender in "medieval" cinema/ edited by Lynn T. Ramey and Tison Pugh.
其他作者:	Pugh, Tison.
出版者:	New York :Palgrave Macmillan, : 2007.,
面頁冊數:	viii, 228 p. :ill.
內容註:	Once, present, and future kings: kingdom of heaven and the multitemporality of medieval film / Arthur Lindley -- Chahine's destiny: prophetic nostalgia and the other middle classes/ Don Hoffman -- Reversing the crusades: hegemony, orientalism, and film language in Youssef Chahine's Saladin /John M. Ganim -- Samurai on shifting ground: negotiating the Medieval and the modern in Seven Samurai and Yojimbo/ Randy P. Schiff -- Vikings through the eyes of an Arab ethnographer: constructions of the other in The 13th warrior/ Lynn Shutters -- Mission historical, or "[T]here were a hell of alot of knights": ethnicity and alterity inJerry Bruckheimer's King Arthur / Carolin Jewers -- Inner-city chivalry in Gil Junger's Black knight: a South Central Yankee in King Leo's court/ Laurie A. Finke and Martin B. Shichtman --Queering the Medieval dead: history, horror, and masculinity in Sam Raimi's Evil dead trilogy / Tison Pugh -- In praise of troubadourism: creating community in occupiedFrance, 1942-43/ Lynn T. Ramey -- Sexing warrior women in China's martial arts world: King Hu's A touch of Zen / Peter Lorge -- The hawk,the wolf, and the mouse: tracing the gendered other in Richard Donner's Ladyhawke/ Angela Jane Weisl -- Chaucer's man show: anachronistic authority in Brian Helgeland's A knight's tale / Holly A. Crocker -- The "other" women of Sherwood: the construction of difference and gender incinematic treatments of the Robin Hood legend/ Lorrain K. Stock and Candace Gregory-Abbott.
標題:	Middle Ages in motion pictures. -
電子資源:	http://link.springer.com/10.1057/9780230603561access to fulltext (Palgrave)
ISBN:	0230603564

Race, class, and gender in "medieval" cinema
Race, class, and gender in "medieval" cinema[electronic resource] /edited by Lynn T. Ramey and Tison Pugh. - New York :Palgrave Macmillan,2007. - viii, 228 p. :ill. - The new Middle Ages. - New Middle Ages (Palgrave Macmillan (Firm)).

Includes bibliographical references and index.

Once, present, and future kings: kingdom of heaven and the multitemporality of medieval film / Arthur Lindley -- Chahine's destiny: prophetic nostalgia and the other middle classes/ Don Hoffman -- Reversing the crusades: hegemony, orientalism, and film language in Youssef Chahine's Saladin /John M. Ganim -- Samurai on shifting ground: negotiating the Medieval and the modern in Seven Samurai and Yojimbo/ Randy P. Schiff -- Vikings through the eyes of an Arab ethnographer: constructions of the other in The 13th warrior/ Lynn Shutters -- Mission historical, or "[T]here were a hell of alot of knights": ethnicity and alterity inJerry Bruckheimer's King Arthur / Carolin Jewers -- Inner-city chivalry in Gil Junger's Black knight: a South Central Yankee in King Leo's court/ Laurie A. Finke and Martin B. Shichtman --Queering the Medieval dead: history, horror, and masculinity in Sam Raimi's Evil dead trilogy / Tison Pugh -- In praise of troubadourism: creating community in occupiedFrance, 1942-43/ Lynn T. Ramey -- Sexing warrior women in China's martial arts world: King Hu's A touch of Zen / Peter Lorge -- The hawk,the wolf, and the mouse: tracing the gendered other in Richard Donner's Ladyhawke/ Angela Jane Weisl -- Chaucer's man show: anachronistic authority in Brian Helgeland's A knight's tale / Holly A. Crocker -- The "other" women of Sherwood: the construction of difference and gender incinematic treatments of the Robin Hood legend/ Lorrain K. Stock and Candace Gregory-Abbott.

The medieval film genre is not, in general, concerned with constructing a historically accurate past, but much analysis nonetheless centerson highlighting anachronisms. This book aims to help scholars and aficionados of medieval film think about how the re-creation of an often mythical past performs important cultural work for modern directors and viewers. The essays in this collection demonstrate that directors intentionally insert modern preoccupations into a setting that would normallybe considered incompatible with these concepts. The Middle Ages provide an imaginary space far enough removed from the present day to exploremodern preoccupations with human identity.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 0230603564

Standard No.: 10.1057/9780230603561doiSubjects--Topical Terms:

1081725
Middle Ages in motion pictures.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.9.M52 / R33 2007eb

Dewey Class. No.: 791.43/6552

Race, class, and gender in "medieval" cinema
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245 0 0 $a Race, class, and gender in "medieval" cinema $h [electronic resource] / $c edited by Lynn T. Ramey and Tison Pugh.
260 $a New York : $c 2007. $b Palgrave Macmillan,
300 $a viii, 228 p. : $b ill.
490 1 $a The new Middle Ages
504 $a Includes bibliographical references and index.
505 0 $a Once, present, and future kings: kingdom of heaven and the multitemporality of medieval film / Arthur Lindley -- Chahine's destiny: prophetic nostalgia and the other middle classes/ Don Hoffman -- Reversing the crusades: hegemony, orientalism, and film language in Youssef Chahine's Saladin /John M. Ganim -- Samurai on shifting ground: negotiating the Medieval and the modern in Seven Samurai and Yojimbo/ Randy P. Schiff -- Vikings through the eyes of an Arab ethnographer: constructions of the other in The 13th warrior/ Lynn Shutters -- Mission historical, or "[T]here were a hell of alot of knights": ethnicity and alterity inJerry Bruckheimer's King Arthur / Carolin Jewers -- Inner-city chivalry in Gil Junger's Black knight: a South Central Yankee in King Leo's court/ Laurie A. Finke and Martin B. Shichtman --Queering the Medieval dead: history, horror, and masculinity in Sam Raimi's Evil dead trilogy / Tison Pugh -- In praise of troubadourism: creating community in occupiedFrance, 1942-43/ Lynn T. Ramey -- Sexing warrior women in China's martial arts world: King Hu's A touch of Zen / Peter Lorge -- The hawk,the wolf, and the mouse: tracing the gendered other in Richard Donner's Ladyhawke/ Angela Jane Weisl -- Chaucer's man show: anachronistic authority in Brian Helgeland's A knight's tale / Holly A. Crocker -- The "other" women of Sherwood: the construction of difference and gender incinematic treatments of the Robin Hood legend/ Lorrain K. Stock and Candace Gregory-Abbott.
520 $a The medieval film genre is not, in general, concerned with constructing a historically accurate past, but much analysis nonetheless centerson highlighting anachronisms. This book aims to help scholars and aficionados of medieval film think about how the re-creation of an often mythical past performs important cultural work for modern directors and viewers. The essays in this collection demonstrate that directors intentionally insert modern preoccupations into a setting that would normallybe considered incompatible with these concepts. The Middle Ages provide an imaginary space far enough removed from the present day to exploremodern preoccupations with human identity.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Middle Ages in motion pictures. $3 1081725
650 0 $a Race in motion pictures. $3 780855
650 0 $a Sex role in motion pictures. $3 540629
650 0 $a Social classes in motion pictures. $3 924951
655 7 $a Electronic books. $2 lcsh $3 542853
700 1 $a Pugh, Tison. $3 1081723
700 1 $a Ramey, Lynn Tarte, $d 1964- $3 1081724
710 2 $a Palgrave Connect (Online service) $3 1081578
830 0 $a New Middle Ages (Palgrave Macmillan (Firm)) $3 891600
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230603561 $z access to fulltext (Palgrave)