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Photographic possibilities = the exp...

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Photographic possibilities = the expressive use of equipment, ideas, materials, and processes /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Photographic possibilities/ Robert Hirsch.
其他題名:	the expressive use of equipment, ideas, materials, and processes /
作者:	Hirsch, Robert.
出版者:	Amsterdam ;Focal Press/Elsevier, : 2009.,
面頁冊數:	xvi, 284 p. :ill. (some col.) ;28 cm.
附註:	Previous ed.: 2001.
內容註:	Chapter 1: Essential Moments in Photographic Printmaking -- Chapter 2: Predarkroom Actions: Imaginative Thinking and Personal Safety -- Chapter 3: Image Capture: Special-Use Films, Processing and Digital Negative Making -- Chapter 4: Formulas of One's Own -- Chapter 5: Black-and-White Film Developers -- Chapter 6: Analog Fine Printmaking: Equipment, Materials, and Processes -- Chapter 7: Black-and-White Paper Developers -- Chapter 8: Toning for Visual Effects -- Chapter 9: Special Cameras and Equipment -- Chapter 10: Historic and Alternative Processes: Beauty, Imagination and Inventiveness -- Chapter 11: Transforming Photographic Concepts: Expanding the Lexicon --.
標題:	Photography. -
電子資源:	http://www.sciencedirect.com/science/book/9780240810133An electronic book accessible through the World Wide Web; click for information
ISBN:	0240810139

Photographic possibilities = the expressive use of equipment, ideas, materials, and processes /
Hirsch, Robert.

Photographic possibilitiesthe expressive use of equipment, ideas, materials, and processes /[electronic resource] :Robert Hirsch. - 3rd ed. - Amsterdam ;Focal Press/Elsevier,2009. - xvi, 284 p. :ill. (some col.) ;28 cm.

Previous ed.: 2001.

Includes bibliographical references and index.

Chapter 1: Essential Moments in Photographic Printmaking -- Chapter 2: Predarkroom Actions: Imaginative Thinking and Personal Safety -- Chapter 3: Image Capture: Special-Use Films, Processing and Digital Negative Making -- Chapter 4: Formulas of One's Own -- Chapter 5: Black-and-White Film Developers -- Chapter 6: Analog Fine Printmaking: Equipment, Materials, and Processes -- Chapter 7: Black-and-White Paper Developers -- Chapter 8: Toning for Visual Effects -- Chapter 9: Special Cameras and Equipment -- Chapter 10: Historic and Alternative Processes: Beauty, Imagination and Inventiveness -- Chapter 11: Transforming Photographic Concepts: Expanding the Lexicon --.

Photographic Possibilities, Third Edition is a marvelously updated resource of innovative and traditional photographic processes that imagemakers have come to trust and depend on to enhance their technical knowledge, create astonishing pictures, and raise their visual consciousness. This concise and reliable handbook provides professional and advanced photography students with practical pathways of utilizing diverse photographic methods to produce engaging, expressive pictures from an informed aesthetic and conceptual position. This update, in full color for this first time, offers new links between analog and digital photography by featuring clear, up-to-date, step-by-step instructions on topics ranging from making ambrotypes and digital negatives to pre-picturemaking activities that utilize a thinking system to visually realize what is in your mind's eye in an effective and safe manner. This edition vividly showcases the thought-provoking work of over 140 international artists including Peter Beard, Dan Burkholder, Carl Chiarenza, Michael Kenna, Dinh Q. �L, Joe Mills, Andrea Modica, Bea Nettles, France Scully and Mark Osterman, Robert & Shana ParkeHarrison, Holly Roberts, Martha Rosler, Mike and Doug Starn, John Sexton, Brian Taylor, Jerry Uelsmann, and Joel Peter Witkin as well as other major and emerging talents. Image captions explain how each artist technically realized their vision and concept. All technical information and resources have been refreshed to provide the latest data for acquiring the products needed for these processes. Above all, this comprehensive reference provides field-proven know-how, encouragement, inspiration, and a profuse compendium of promising photo-based explorations one can discover and pursue. * Two new chapters bridging digital and analog photography, including a discussion of digital negatives. * Explains key techniques of Photogram, Cyanotype, Photo Weaving, Gum Prints, and more. * Completely revised to include updated resources and the newest information on where to find products or how to replace discontinued products. * Includes breathtaking photographs displaying how artists can apply different approaches with insight and aesthetic concern.

Electronic reproduction.
Amsterdam :
Elsevier Science & Technology,
2010.

Mode of access: World Wide Web.

ISBN: 0240810139

Source: 142656:142804Elsevier Science & Technologyhttp://www.sciencedirect.comSubjects--Topical Terms:

518339
Photography.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: TR145 / .H54 2009

Dewey Class. No.: 771

Photographic possibilities = the expressive use of equipment, ideas, materials, and processes /
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250 $a 3rd ed.
260 $a Amsterdam ; $a Boston : $c 2009. $b Focal Press/Elsevier,
300 $a xvi, 284 p. : $b ill. (some col.) ; $c 28 cm.
500 $a Previous ed.: 2001.
504 $a Includes bibliographical references and index.
505 0 $a Chapter 1: Essential Moments in Photographic Printmaking -- Chapter 2: Predarkroom Actions: Imaginative Thinking and Personal Safety -- Chapter 3: Image Capture: Special-Use Films, Processing and Digital Negative Making -- Chapter 4: Formulas of One's Own -- Chapter 5: Black-and-White Film Developers -- Chapter 6: Analog Fine Printmaking: Equipment, Materials, and Processes -- Chapter 7: Black-and-White Paper Developers -- Chapter 8: Toning for Visual Effects -- Chapter 9: Special Cameras and Equipment -- Chapter 10: Historic and Alternative Processes: Beauty, Imagination and Inventiveness -- Chapter 11: Transforming Photographic Concepts: Expanding the Lexicon --.
520 $a Photographic Possibilities, Third Edition is a marvelously updated resource of innovative and traditional photographic processes that imagemakers have come to trust and depend on to enhance their technical knowledge, create astonishing pictures, and raise their visual consciousness. This concise and reliable handbook provides professional and advanced photography students with practical pathways of utilizing diverse photographic methods to produce engaging, expressive pictures from an informed aesthetic and conceptual position. This update, in full color for this first time, offers new links between analog and digital photography by featuring clear, up-to-date, step-by-step instructions on topics ranging from making ambrotypes and digital negatives to pre-picturemaking activities that utilize a thinking system to visually realize what is in your mind's eye in an effective and safe manner. This edition vividly showcases the thought-provoking work of over 140 international artists including Peter Beard, Dan Burkholder, Carl Chiarenza, Michael Kenna, Dinh Q. �L, Joe Mills, Andrea Modica, Bea Nettles, France Scully and Mark Osterman, Robert & Shana ParkeHarrison, Holly Roberts, Martha Rosler, Mike and Doug Starn, John Sexton, Brian Taylor, Jerry Uelsmann, and Joel Peter Witkin as well as other major and emerging talents. Image captions explain how each artist technically realized their vision and concept. All technical information and resources have been refreshed to provide the latest data for acquiring the products needed for these processes. Above all, this comprehensive reference provides field-proven know-how, encouragement, inspiration, and a profuse compendium of promising photo-based explorations one can discover and pursue. * Two new chapters bridging digital and analog photography, including a discussion of digital negatives. * Explains key techniques of Photogram, Cyanotype, Photo Weaving, Gum Prints, and more. * Completely revised to include updated resources and the newest information on where to find products or how to replace discontinued products. * Includes breathtaking photographs displaying how artists can apply different approaches with insight and aesthetic concern.
533 $a Electronic reproduction. $b Amsterdam : $c Elsevier Science & Technology, $d 2010. $n Mode of access: World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Jan. 14, 2010). $n Access may be restricted to users at subscribing institutions.
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