東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Stella's stripes: The problem of dec...

California State University, Long Beach.

FindBook

Google Book

Amazon

博客來

Stella's stripes: The problem of decoration in the sixties.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Stella's stripes: The problem of decoration in the sixties./
作者:	Doyle, Dana.
面頁冊數:	109 p.
附註:	Adviser: Christopher Miles.
Contained By:	Masters Abstracts International47-02.
標題:	Design and Decorative Arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1459057
ISBN:	9780549822264

Stella's stripes: The problem of decoration in the sixties.
Doyle, Dana.

Stella's stripes: The problem of decoration in the sixties. - 109 p.

Adviser: Christopher Miles.

Thesis (M.A.)--California State University, Long Beach, 2008.

Decoration was Frank Stella's last word on his work in the 1960s. In the context of his Protractor series---curvaceous, mural scale arcs of dozens of hues---the presence of the term was surprising but appropriate. Yet, a decade prior, when faced with explaining his iconic early work---the Black paintings---decoration was also, literally, Stella's first word. Stella is often understood as an instigator of postmodern decoration, but I argue that his stripes are the very emblem of modernism's decorativeness. The roots of Stella's early use of the term "decoration" are located in Clement Greenberg's writings from the 40s and 50s. For Greenberg, decoration was a generative concept, in fact, he defined modernist painting through decoration. Michael Fried's influential theory of deductive structure is also reconsidered, revealing elemental, if inadvertent, parallels to 19 th-century dogmas of decorative reform. In seeking its own essence, modernist painting must constantly negotiate decoration.

ISBN: 9780549822264Subjects--Topical Terms:

1020245
Design and Decorative Arts.

Stella's stripes: The problem of decoration in the sixties.
LDR:01862nmm 2200277 a 45 001 886080
005 20101006
008 101006s2008 ||||||||||||||||| ||eng d
020 $a 9780549822264
035 $a (UMI)AAI1459057
035 $a AAI1459057
040 $a UMI $c UMI
100 1 $a Doyle, Dana. $3 1057752
245 1 0 $a Stella's stripes: The problem of decoration in the sixties.
300 $a 109 p.
500 $a Adviser: Christopher Miles.
500 $a Source: Masters Abstracts International, Volume: 47-02, page: 0627.
502 $a Thesis (M.A.)--California State University, Long Beach, 2008.
520 $a Decoration was Frank Stella's last word on his work in the 1960s. In the context of his Protractor series---curvaceous, mural scale arcs of dozens of hues---the presence of the term was surprising but appropriate. Yet, a decade prior, when faced with explaining his iconic early work---the Black paintings---decoration was also, literally, Stella's first word. Stella is often understood as an instigator of postmodern decoration, but I argue that his stripes are the very emblem of modernism's decorativeness. The roots of Stella's early use of the term "decoration" are located in Clement Greenberg's writings from the 40s and 50s. For Greenberg, decoration was a generative concept, in fact, he defined modernist painting through decoration. Michael Fried's influential theory of deductive structure is also reconsidered, revealing elemental, if inadvertent, parallels to 19 th-century dogmas of decorative reform. In seeking its own essence, modernist painting must constantly negotiate decoration.
590 $a School code: 6080.
650 4 $a Design and Decorative Arts. $3 1020245
650 4 $a Art History. $3 635474
690 $a 0377
690 $a 0389
710 2 $a California State University, Long Beach. $3 1017843
773 0 $t Masters Abstracts International $g 47-02.
790 $a 6080
790 1 0 $a Miles, Christopher, $e advisor
791 $a M.A.
792 $a 2008
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1459057