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An exploration of ornamental traditi...

York University (Canada).

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An exploration of ornamental tradition as a form of agency in graphic design.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	An exploration of ornamental tradition as a form of agency in graphic design./
作者:	Lung, Renee.
面頁冊數:	103 p.
附註:	Source: Masters Abstracts International, Volume: 46-06, page: 2909.
Contained By:	Masters Abstracts International46-06.
標題:	Design and Decorative Arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR38805
ISBN:	9780494388051

An exploration of ornamental tradition as a form of agency in graphic design.
Lung, Renee.

An exploration of ornamental tradition as a form of agency in graphic design. - 103 p.

Source: Masters Abstracts International, Volume: 46-06, page: 2909.

Thesis (M.Des.)--York University (Canada), 2008.

This thesis pursues a graphic investigation of urban space in order to critically engage the processes that structure our current perceptions of space. Furthermore, this exploration of postmodern urban spatiality was extended to examine the vernacular as a factor in the reclamation of human agency and social space from capitalist domination.

ISBN: 9780494388051Subjects--Topical Terms:

1024640
Design and Decorative Arts.

An exploration of ornamental tradition as a form of agency in graphic design.
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245 1 3 $a An exploration of ornamental tradition as a form of agency in graphic design.
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502 $a Thesis (M.Des.)--York University (Canada), 2008.
520 $a This thesis pursues a graphic investigation of urban space in order to critically engage the processes that structure our current perceptions of space. Furthermore, this exploration of postmodern urban spatiality was extended to examine the vernacular as a factor in the reclamation of human agency and social space from capitalist domination.
520 $a The convenience store was chosen as a distillation of the postmodern urban experience, exhibiting characteristics of liminality, marginality and the vernacular. Both visual and textual research led to the conclusion that the act of making constitutes a reclamation of human agency and acts as a counterpoint to capitalist alienation. Additionally, the research culminated in the design of a book, Liminal Feast, which constituted the graphic expression of three distinct cultures as articulated through the space of the convenience store. Each culture's ornamental tradition was translated into the formal and conceptual vocabulary of the author, which in itself became an exploration of the essential human agency underlying the act of making.
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