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The state of Canadian dance and danc...

Ryerson University (Canada).

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The state of Canadian dance and dancing with the state from 1967--1983.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The state of Canadian dance and dancing with the state from 1967--1983./
作者:	Cornell, Katherine.
面頁冊數:	242 p.
附註:	Source: Dissertation Abstracts International, Volume: 69-06, Section: A, page: 2024.
Contained By:	Dissertation Abstracts International69-06A.
標題:	Dance. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoeng/servlet/advanced?query=NR40489
ISBN:	9780494404898

The state of Canadian dance and dancing with the state from 1967--1983.
Cornell, Katherine.

The state of Canadian dance and dancing with the state from 1967--1983. - 242 p.

Source: Dissertation Abstracts International, Volume: 69-06, Section: A, page: 2024.

Thesis (Ph.D.)--Ryerson University (Canada), 2008.

This dissertation chronicles an important time in Canadian dance history but also offers a framework to analyze Canadian identity in dance. Cultural policy on dance offers insight into the nature of Canadian identity from 1967 to 1983. This dissertation uses dance as a lens to examine communities within the nation. Five choreographic works from the period are analyzed and represent Canadian western theatrical dance: Rose Latulippe (Macdonald), Baroque Suite (Earle), "The Brick Series" (Adams), Marie Chien Noir (Chouinard) and Joe (Perreault). This dissertation also uses cultural policy as a vehicle to analyze the State from the Centennial of Confederation to the publication of the Applebaum-Hebert Report. Writings by Leslie Armour, R. Bruce Elder, Alan Filewod, Northrop Frye, B.W. Powe, Grant Strate and Pierre Trudeau inform the research. Ultimately, the relationships between individual artists, the dance community and the State illustrate the complex development of Canadian choreography.

ISBN: 9780494404898Subjects--Topical Terms:

610547
Dance.

The state of Canadian dance and dancing with the state from 1967--1983.
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245 1 4 $a The state of Canadian dance and dancing with the state from 1967--1983.
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500 $a Source: Dissertation Abstracts International, Volume: 69-06, Section: A, page: 2024.
502 $a Thesis (Ph.D.)--Ryerson University (Canada), 2008.
520 $a This dissertation chronicles an important time in Canadian dance history but also offers a framework to analyze Canadian identity in dance. Cultural policy on dance offers insight into the nature of Canadian identity from 1967 to 1983. This dissertation uses dance as a lens to examine communities within the nation. Five choreographic works from the period are analyzed and represent Canadian western theatrical dance: Rose Latulippe (Macdonald), Baroque Suite (Earle), "The Brick Series" (Adams), Marie Chien Noir (Chouinard) and Joe (Perreault). This dissertation also uses cultural policy as a vehicle to analyze the State from the Centennial of Confederation to the publication of the Applebaum-Hebert Report. Writings by Leslie Armour, R. Bruce Elder, Alan Filewod, Northrop Frye, B.W. Powe, Grant Strate and Pierre Trudeau inform the research. Ultimately, the relationships between individual artists, the dance community and the State illustrate the complex development of Canadian choreography.
520 $a My research is driven by a desire to first, fill some of the gaps in the literature on Canadian dance, and second, examine dance through cultural policy. This dissertation begins in 1951 with the Massey Report, but primarily focuses on the period from 1967 to 1983 including the "dance boom era." This research is an important contribution to the field because it compares the development of Canadian dance to theatre, literature, visual art, music and film from 1967 to 1983, to place it within a broader context. This dissertation argues that Canadian choreography embodies the dialectic of the traditional and the contemporary, of the Francophone and Anglophone, and of the individual and community.
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