東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Edouard Manet's portraits of women.

New York University.

FindBook

Google Book

Amazon

博客來

Edouard Manet's portraits of women.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Edouard Manet's portraits of women./
作者:	Lehmbeck, Leah Rosenblatt.
面頁冊數:	425 p.
附註:	Adviser: Linda Nochlin.
Contained By:	Dissertation Abstracts International68-07A.
標題:	Art History. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3269792
ISBN:	9780549099666

Edouard Manet's portraits of women.
Lehmbeck, Leah Rosenblatt.

Edouard Manet's portraits of women. - 425 p.

Adviser: Linda Nochlin.

Thesis (Ph.D.)--New York University, 2007.

Over the course of Edouard Manet's (1832-1883) career, the artist completed more than one hundred portraits. Nearly three-quarters of them are portraits of women. His continued return to the genre is at first confounding given its traditional limitations, but an examination of his portraits of women with regard to his engagement with Realism makes clear this choice. Manet's shift from Gustave Courbet's public-oriented Realism towards a Realism of a more private type has gone little explored to date. Yet it is this move, from objectivity to subjectivity, from depicting contemporary life to exploring painting as a construct---from out to in---that has distinct consequences within Manet's portraiture. It is these profound connections that I will explore in this dissertation.

ISBN: 9780549099666Subjects--Topical Terms:

635474
Art History.

Edouard Manet's portraits of women.
LDR:03108nmm 2200301 a 45 001 873823
005 20100823
008 100823s2007 eng d
020 $a 9780549099666
035 $a (UMI)AAI3269792
035 $a AAI3269792
040 $a UMI $c UMI
100 1 $a Lehmbeck, Leah Rosenblatt. $3 1043053
245 1 0 $a Edouard Manet's portraits of women.
300 $a 425 p.
500 $a Adviser: Linda Nochlin.
500 $a Source: Dissertation Abstracts International, Volume: 68-07, Section: A, page: 2698.
502 $a Thesis (Ph.D.)--New York University, 2007.
520 $a Over the course of Edouard Manet's (1832-1883) career, the artist completed more than one hundred portraits. Nearly three-quarters of them are portraits of women. His continued return to the genre is at first confounding given its traditional limitations, but an examination of his portraits of women with regard to his engagement with Realism makes clear this choice. Manet's shift from Gustave Courbet's public-oriented Realism towards a Realism of a more private type has gone little explored to date. Yet it is this move, from objectivity to subjectivity, from depicting contemporary life to exploring painting as a construct---from out to in---that has distinct consequences within Manet's portraiture. It is these profound connections that I will explore in this dissertation.
520 $a I begin the discussion with Manet's portraits of performers and establish the meaning of construction in Manet's work. Here I also introduce the fundamental transactional nature of portrait painting, which is of critical importance to the artist. In chapters two and three I focus on Manet's society portraits, portraits of women with whom he engaged in a public setting. In these works Manet continues to position painting's constructedness against the realities of contemporary life. Moving from the most public figures in Manet's life to the most private, in the final chapter I address the portraits of his wife Suzanne Leenhoff and his colleague Berthe Morisot. In these portraits Leenhoff comes to stand for Manet's paintings created outside of the studio and Morisot those within. It is in these pictures that we find the ultimate connection between female portraiture and Manet's artistic goals.
520 $a Manet's Realism and portraiture become more interrelated as we move inward to the women closest to him, suggesting that the biographies of these women are critical to his artistic expression. I have therefore included an appendix with a biographical dictionary of his female sitters. By examining Manet's portraits of women in light of his Realist agenda, I address both why Manet repeatedly returned to the genre and how these portraits of women, constantly overlooked in his scholarship, extend the critical dialogue already established around the artist.
590 $a School code: 0146.
650 4 $a Art History. $3 635474
650 4 $a Biography. $3 531296
690 $a 0304
690 $a 0377
710 2 0 $a New York University. $3 515735
773 0 $t Dissertation Abstracts International $g 68-07A.
790 $a 0146
790 1 0 $a Nochlin, Linda, $e advisor
791 $a Ph.D.
792 $a 2007
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3269792